
Fragmentary Bowl Base with Saint Lawrence
Unrecorded maker
5th century · Glass, gold leaf
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
304 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 347 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragmentary Bowl Base with Saint Lawrence
Unrecorded maker
5th century · Glass, gold leaf
Cleared · Public Domain
live
Martyrdom of Saint Lawrence
Unrecorded maker
ca. 1180 · Pot-metal glass, vitreous paint
Cleared · Public Domain
live
The Martyrdom of Saint Lawrence; (reverse) Giving Drink to the Thirsty
Master of the Acts of Mercy (d. 1470)
1470 · Oil on fir, (obverse) gold ground
Cleared · Public Domain
live
Relief of Saint Lawrence Presenting the Poor
Master of the Sonnenberg-Künigl Altar (d. 1500)
ca. 1490 · White or stone pine with paint and gilding
Cleared · Public Domain
live
The Martyrdom of Saint Lawrence, after Bandinelli
Marcantonio Raimondi (d. 1534)
ca. 1520 · Engraving; second state of two
Cleared · Public Domain
live
The Virgin and Child Appearing to Saint Peter, Saint Damasus, Saint Lawrence, and Saint Paul; the Martyrdom of Saint Lawrence in the Background
Federico Zuccaro (Zuccari) (d. 1609)
1566–68 · Pen and brown ink, brush and brown wash, over traces of red and black chalk, on beige paper
Cleared · Public Domain
live
The Martyrdom of Saint Lawrence
Aurelio Luini (d. 1593)
1580s–early 1590s · Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on light tan paper; squared in red chalk
Cleared · Public Domain
live
Martyrdom of Saint Lawrence
Lucas Vorsterman I (d. 1675)
1621 · Engraving; second state of two (Hollstein)
Cleared · Public Domain
live
Martyrdom of Saint Lawrence
Peter Paul Rubens (d. 1640)
early 17th century · Black chalk, pen and brown ink, brush and brown wash, heightened with white; contours traced with stylus for transfer
Cleared · Public Domain
live
The Maryrdom of Saint Lawrence
Rombout Eynhoudts (d. 1680)
early 17th–mid 17th century · Pen and brown and black ink, white gouache, over a sketch in black and red chalk
Cleared · Public Domain
live
Martyrdom of Saint Lawrence
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and gray wash, over traces of black chalk on cream paper
Cleared · Public Domain
live
Martyrdom of Saint Lawrence
Ercole Procaccini The Younger (d. 1680)
17th century · Brush and brown wash, heightened with white gouache, over black chalk; framing lines in black chalk and brush and brown wash
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.