Ta-wer emblem (Abydos Fetish)
Unrecorded maker
ca. 1300–30 BCE · Wood, paint
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
255 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
905 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,672 matching records exist across the two collections.
Results for "The Masque of the Red Death and Other Ta"12 records
Institutions answered newest-first by record, interleaved
Knight, Death, and the Devil
Albrecht Dürer (d. 1528)
1513 · Engraving
Cleared · Public Domain
liveThe MetSimilar
The death of Saint Alexis Falconieri at Monte Senario
Bernardino Poccetti (d. 1612)
1548–1612 · Pen and brown ink, brush and brown wash, highlighted with white, over red chalk and some charcoal
Cleared · Public Domain
liveThe MetSimilar
Death
Unrecorded maker
mid-17th century · Lindenwood with traces of pigment, spruce base
Cleared · Public Domain
liveThe MetSimilar
The Annunciation of the Death of the Virgin
Samuel van Hoogstraten (d. 1678)
ca. 1670 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
The Death of Socrates
Michel François Dandré-Bardon (d. 1783)
ca. 1749 · Pen and brown ink, brush and brown wash, over red chalk heightened with white gouache.
Cleared · Public Domain
liveThe MetSimilar
The Death of Britannicus
Alexandre Denis Abel de Pujol (d. 1861)
ca. 1814 · Pen and black ink, brush and brown wash, heightened with white gouache over graphite and red chalk
Cleared · Public Domain
liveThe MetSimilar
The Masque of the Red Death, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96
Aubrey Vincent Beardsley (d. 1898)
1894 · Pen and black ink, brush and India ink over graphite
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Masque of the Edwards of England: Being a Coronation Pageant to Celebrate the Crowning of the King
Charles Robert Ashbee (d. 1942)
1902 · Illustrations: color lithographs, some hand-colored
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Masque of the Red Death and Other Tales
Edgar Allan Poe (d. 1849)
1932 · Illustrations: wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Doctor and Death
Adolfo Mexiac (d. 2019)
ca. 1950s · Linocut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interrogation du masque, éd. 5/8
Tamsir Gueye
Late 1970s · Cotton (warp), wool (weft), and other unidentified fibers
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.