
Head of a Man in Profile Facing to the Left
Leonardo da Vinci (d. 1519)
1490–94 · Pen and brown ink, over soft black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
683 ms. The Metropolitan Museum of Art, Collection API (Open Access)
556 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 63 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Head of a Man in Profile Facing to the Left
Leonardo da Vinci (d. 1519)
1490–94 · Pen and brown ink, over soft black chalk
Cleared · Public Domain
live
Virgin and Child with Saint Elizabeth, the Infant Baptist, Saint Anthony of Padua, and a Female Martyr
Jacopo da Pontormo (Jacopo Carucci) (d. 1556)
1514–22 · Red chalk, brush and red wash
Cleared · Public Domain
live
The Virgin Protectress of the City of Siena
Francesco Vanni (d. 1610)
1588 · Pen and brown ink, brush and brown wash, over black chalk, on light brown paper
Cleared · Public Domain
live
The Vision of Saint William of Aquitaine
Giovanni Angelo Canini (d. 1666)
late 1650s · Brush and brown wash, highlighted with white gouache, over black chalk, on brown-washed paper
Cleared · Public Domain
live
Arganonä Maryam (The Organ of Mary) prayer book
Baselyos, also known as "The Ground Hornbill Master" (d. 1700)
late 17th century · Parchment, pigment ink, wood, leather, fiber
Cleared · Public Domain
live
The Arrival of the Princely Carriage at the Starting Point of the Hunt
Johann Elias Ridinger (d. 1767)
ca. 1756 · Pen and brown ink, brush and gray wash, over a sketch in graphite or black chalk; framing lines in pen and brown ink (lower and right edge) and graphite (upper edge)
Cleared · Public Domain
live
Sampler
Angenett Jackson (d. 1903)
1838 · Silk embroidery on linen
Cleared · Public Domain
live
A Mother's Pearls
Thomas Seir Cummings (d. 1894)
1841 · Watercolor on ivory
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Master Cook and his Black Scullion composing a Royal Hash
Isaac Robert Cruikshank (d. 1856)
July 1820 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
General Francis Marion, of South Carolina – In his Swamp Encampment, Inviting a British Officer to share his Dinner of Sweet Potatoes and Cold Water
Currier & Ives (d. 1907)
1876 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Southern Barbecue
Raymond Steth (d. 1997)
ca. 1940 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"The Third Fake Maharajah" Brooch
William Harper (d. 9999)
1986 · 14K gold, 24K gold, gold cloisonné enamel on silver and gold, sterling silver, citrine, tourmaline, pearl, mirror, and plastic
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.