Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
232 ms. The Metropolitan Museum of Art, Collection API (Open Access)
7 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 288 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mausoleum at Halicarnassus, from The Eight Wonders of the World, plate 6
Philips Galle (d. 1612)
1572 · Engraving, second state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mausoleum at Halicarnassus, from The Eight Wonders of the World, plate 6
Philips Galle (d. 1612)
1572 · Engraving; first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mausoleum at Halicarnassus, plate 6 from "The Eight Wonders of the World"
Philips Galle (d. 1612)
1572 · Engraving; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6: The Lighthouse at Alexandria, from "The Seven Wonders of the World"
Antonio Tempesta (d. 1630)
1608 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6: Battle at Pharsalos (Thessaly), from 'The History of Caesar'
Matthäus Merian the Elder (d. 1650)
1610–50 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mausoleum ornamented with statues of female figures, from Mausolées, plate 6, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
published ca. 1651 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6, from "Livre de Plusieurs Cartouches"
Albert Flamen (d. 1688)
1664 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mausoleum epitaph with four cherubs at the top, from Mausolées, plate 6, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nouveaux Lambris, cheminées et portes de chambre, Plate 6
François II de Poilly (d. 1741)
before 1741 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nouveau Livre de Cartouches, Plate 6
Louis Van Nerven (d. 1800)
ca. 1750 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tombs, Plate 6
Charles Hutin (d. 1776)
1764 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6 from "Architectural Tablets" (Tables d'architecture)
Marguerite Caillou Chéreau (d. 1757)
after 1755 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.