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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    347 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 311 matching records exist across the two collections.

Results for "The Meeting"7 records

Institutions answered newest-first by record, interleaved

Yusuf and Zulaykha meeting by an unrecorded maker, The Cleveland Museum of Art

Yusuf and Zulaykha meeting

Unrecorded maker

c. 1764 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Meeting of Orestes and Hermione by Anne-Louis Girodet de Roucy-Trioson, The Cleveland Museum of Art

The Meeting of Orestes and Hermione

Anne-Louis Girodet de Roucy-Trioson (d. 1824)

c. 1800 · Drawing, pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Meeting of Christ with Martha and Mary after the Death of Lazarus by Rembrandt van Rijn, The Cleveland Museum of Art

The Meeting of Christ with Martha and Mary after the Death of Lazarus

Rembrandt van Rijn (d. 1669)

c. 1662–65 · Drawing, reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Women Meeting in the Shade by Ker Xavier Roussel, The Cleveland Museum of Art

Women Meeting in the Shade

Ker Xavier Roussel (d. 1944)

c. 1890 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Meeting of Joachim and Anna at the Golden Gate by Albrecht Dürer, The Cleveland Museum of Art

The Meeting of Joachim and Anna at the Golden Gate

Albrecht Dürer (d. 1528)

1504 · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night by an unrecorded maker, The Cleveland Museum of Art

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Vase in the Form of a Melon by an unrecorded maker, The Cleveland Museum of Art

Vase in the Form of a Melon

Unrecorded maker

1100s · Ceramic, celadon

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.