
Plate with David's Confrontation with Eliab
Unrecorded maker
629–630 · Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
235 ms. The Metropolitan Museum of Art, Collection API (Open Access)
319 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 40 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate with David's Confrontation with Eliab
Unrecorded maker
629–630 · Silver
Cleared · Public Domain
live
The Meeting of Moses and Jethro, plate 1 from "Thronus Justitiae, tredecim pulcherrimus tabulis..."
Willem van Swanenburg (d. 1612)
1605–6 · Engraving
Cleared · Public Domain
live
Plate 1 for "Treatise on Etching"
Maxime-François-Antoine Lalanne (d. 1886)
1866 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title Page depicting the meeting of Augustus and Cleopatra within a border of garlands and putti, plate 1 from 'Differens Desseins d'Alcauue', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
published ca. 1667 · Etching; third state of four [?] (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses and Aaron holding the Tables of the Law, from Histoire de Moïse, plate 1
Jean Le Pautre (d. 1682)
17th century · Etching; second state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses and Aaron holding the Tables of the Law, from Histoire de Moïse, plate 1, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses and the daughters of Jethro, from Histoire de Moïse, plate 4
Jean Le Pautre (d. 1682)
17th century · Etching; second state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses and the daughters of Jethro, from Histoire de Moïse, plate 4, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Elements of Drawing, In a Series of Examples Extracted from Pictures Painted by, and in the Gallery of Benjamin West, Esq., Historical Painter to the King, President of the Royal Academy, &c. &c.
Edward Scriven (d. 1841)
1813 · Illustrations: stipple engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The History and Antiquities of the Abbey Church of St. Peter Westminster, 2 Vols.
Edward Wedlake Brayley (d. 1854)
1818–21 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Handwritten letter from Cocteau, undated (1)]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Postcard from Satie to Cocteau (1)]
Erik Satie (d. 1925)
1916–17
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.