Drying the Linen, or Moonrise at the Priory
Maurice Denis (d. 1943)
1894 · Painting, oil on canvas glued to cardboard
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
482 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 12 matching records exist across the two collections.
Results for "The Monk and the Nun"12 records
Institutions answered newest-first by record, interleaved
Portrait of the Great Master Yeongwoldang Eungjin
Unrecorded maker
1700s · Painting, hanging scroll; ink, color, and gold on silk
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra
Unrecorded maker
c. 1450 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Folio 22 from a Yoga-shastra of Hemachandra: Jain Monk with disciple and two laymen, two Nuns, and a laywoman (recto); Text (verso)
Unrecorded maker
c. 1275 · Painting, Gum tempera and ink on palm leaf
Cleared · CC0
liveCleveland Museum of ArtSimilar
Jain monk with disciple and two laymen, two nuns, and a laywoman, folio 22 (recto) from a Yoga-shastra of Hemachandra
Unrecorded maker
c. 1275 · Painting, Gum tempera and ink on palm leaf
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Crucified Christ as the Tree of Life with Monks and Nuns
Laurent de La Hyre (d. 1656)
c. 1639 · Drawing, black chalk, black chalk wash, and graphite with traces of brown wash and red chalk; framing lines in brown ink
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from an Antiphonary: Text (verso)
Unrecorded maker
c. 1475 · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from an Antiphonary: Floral Initial (recto)
Unrecorded maker
c. 1475 · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from an Antiphonary: Floral Initial (recto); Text (verso)
Unrecorded maker
c. 1475 · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Ladies Writing Desk
Unrecorded maker
c. 1750–75 · Furniture and woodwork, Oak with straw marquetry
Cleared · CC0
liveCleveland Museum of ArtSimilar
Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutra
Unrecorded maker
c. 1500 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Text, Folio 46 (verso), from a Kalpa-sutra
Unrecorded maker
c. 1500 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.