Mosque Lamp
Unrecorded maker
13th century · Earthenware; glazed
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
591 ms. The Metropolitan Museum of Art, Collection API (Open Access)
276 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,047 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Mosque Lamp
Unrecorded maker
13th century · Earthenware; glazed
Cleared · Public Domain
live
Mosque Lamp
Unrecorded maker
first half 14th century · Glass; enameled
Cleared · Public Domain
live
Mosque Lamp
Unrecorded maker
first half 14th century · Glass; enameled
Cleared · Public Domain
live
Mosque lamp
Unrecorded maker
14th century · Glass, colorless with brownish tinge; free blown; enameled with red, blue, white, yellow, and green; gilded; six loops for suspension and foot attached.
Cleared · Public Domain
live
Mosque Lamp
Unrecorded maker
14th century · Glass; blown, enameled, and gilded
Cleared · Public Domain
live
Mosque Lamp
Unrecorded maker
late 16th century · Stonepaste; painted and glazed
Cleared · Public Domain
live
Mosque Lamp
Unrecorded maker
17th century · Stonepaste; polychrome painted under transparent glaze
Cleared · Public Domain
live
Prayer in the Mosque
Jean-Léon Gérôme (d. 1904)
by 1874 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Preparatory sketch for the Snake Charmer at Tangiers
Louis C. Tiffany (d. 1933)
ca. 1872 · Oil on canvas mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mosque, Tangiers
B. J. O. Nordfeldt (d. 1955)
1910 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Market Place, Tangiers
Ely Jacques Kahn (d. 1972)
1911 · Watercolor with graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fez Gate, Tangiers
Louis Conrad Rosenberg (d. 1983)
1925 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.