Mourning Virgin from a Crucifixion Group
Unrecorded maker
about 1620/40 · Sculpture, pearwood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
315 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 17 matching records exist across the two collections.
Results for "The Mourning Virgin"12 records
Institutions answered newest-first by record, interleaved
Mourning Virgin
Unrecorded maker
c. 1250–1275 · Sculpture, polychromed oak
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mourning Saint John and Mourning Virgin (pair)
Unrecorded maker
c. 1250–1275 · Sculpture, polychromed oak
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mourning Virgin
Unrecorded maker
c. 1240–1260 · Sculpture, painted wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mater Dolorosa (Mourning Mother)
George Romney (d. 1802)
1776 · Drawing, brown ink, pen and wash, with graphite underdrawing
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mater Dolorosa (The Virgin Mary Mourning)
Georges-Daniel de Monfreid (d. 1929)
1897 · Painting, painted plaster and wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mourning Virgin
Unrecorded maker
early 1400s · Sculpture, gilt copper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mourning Mary
Unrecorded maker
c. 1710–40 · Sculpture, stone with traces of original color
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mourning Saint John
Unrecorded maker
c. 1250–1275 · Sculpture, polychromed oak
Cleared · CC0
liveCleveland Museum of ArtSimilar
Descent from the Cross
Adam Lenckhardt (d. 1661)
1653 · Sculpture, ivory
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mourning Saint John the Evangelist
Unrecorded maker
early 1400s · Sculpture, gilt copper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Crucifix with Scenes of the Passion
Unrecorded maker
c. 1230–40 · Painting, tempera with gold on panel
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.