Woman Bathing Her Feet at a Brook
Rembrandt (Rembrandt van Rijn) (d. 1669)
1658 · Etching and drypoint, heavy plate tone; first of two states
Cleared · Public Domain
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Where this page got its records
- The Metlive
223 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
263 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,001 matching records exist across the two collections.
Results for "The Mouth of a Brook, No. 1"12 records
Institutions answered newest-first by record, interleaved
The Mouth of a Brook, No. 1
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; first state of two (Schneidermann); trial proof a (Harrington)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mouth of a Brook, No. 1
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; trial proof b (Harrington); second state of two (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mouth of a Brook, No. 2
Sir Francis Seymour Haden (d. 1910)
1859 · Drypoint; trial proof a (Harrington); first state of four (Schneiderman)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Amstel, No. 1 (A Memorandum)
Sir Francis Seymour Haden (d. 1910)
1873 · Etching; second state of two (Harrington); second state of three (Schneiderman)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dial, No. 1
Charles Haslewood Shannon (d. 1937)
1889 · Illustrations: woodcuts, lithographs, photomechanical process
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mouth of the Thames, after Turner, No. 1
Sir Francis Seymour Haden (d. 1910)
1896 · Etching with drypoint; first (final) state (Harrington); second state of two (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blast, No. 1
Wyndham Lewis (d. 1957)
1914 · Letterpress with woodcuts and photographic reproductions
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Symphony No. 1, The Transcendental
Richard Pousette-Dart (d. 1992)
1941–42 · Oil on canvas
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude No. 1
Irving Penn (d. 2009)
1947, printed February 27, 1947 · Gelatin silver print
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Naissance No. 1
Auguste Herbin (d. 1960)
1958 · Oil on canvas
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Born with No Mouth
William Wegman (d. 9999)
1972–73 · Single-channel digital video, transferred from Sony AV 3600 1/2-inch video tape, black-and-white, sound, 1 min., 2 sec.
In copyright
liveThe MetSimilar
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