![[Construction for the Universal Exhibition of 1855] by Bertsch et D'Arnaud, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-387-019.jpg)
[Construction for the Universal Exhibition of 1855]
Bertsch et D'Arnaud (d. 1859)
1855 · Salted paper print from glass negative
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
590 ms. The Metropolitan Museum of Art, Collection API (Open Access)
364 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,168 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![[Construction for the Universal Exhibition of 1855] by Bertsch et D'Arnaud, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-387-019.jpg)
[Construction for the Universal Exhibition of 1855]
Bertsch et D'Arnaud (d. 1859)
1855 · Salted paper print from glass negative
Cleared · Public Domain
live
Linen Press
Byrdcliffe Arts and Crafts Colony (d. 1915)
ca. 1904 · Oak, tulip poplar, brass
Cleared · Public Domain
live
Philosophy: A Preparation for the Mural in the Museum of Fine Arts, Boston
John Singer Sargent (d. 1925)
ca. 1921–25 · Oil on canvas
Cleared · Public Domain
live
Science: A Preparation for the Mural in the Museum of Fine Arts, Boston
John Singer Sargent (d. 1925)
ca. 1921–25 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Museum of Arts & Universal Penmanship
George Bickham, Jr. (d. 1771)
1745 · Illustrations: engraving, some printed in color, some hand colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arts of War
Achille-Isidore Gilbert (d. 1899)
1881 · Etching on chine collé, printed in brown ink; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Devantures Vitrines Installations de Magasins A l'Exposition Internationale des Arts Decoratifs, Paris 1925
René-Herbst
1927 · Commercial photo process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fifth Picture Gallery from the Corridor, Museum of Fine Arts Boston
Edmund Henry Garrett (d. 1929)
19th–20th century · Pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chronicle of the Museum for the Arts of Decoration of Cooper Union, Vol. I, No.4
Cooper Union Museum for the Arts of Decoration
April 1938
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Monuments of Paris
Laura Larson (d. 9999)
1998 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Injustice Anywhere Is A Threat To Justice Everywhere
Center for Book Arts
2020 · Letterpress
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.