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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1321 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 47 matching records exist across the two collections.

Results for "The National Horse Show, Coach Exhibit,"12 records

Institutions answered newest-first by record, interleaved

The Adoration of the Magi by Correggio (Antonio Allegri), The Metropolitan Museum of Art

The Adoration of the Magi

Correggio (Antonio Allegri) (d. 1534)

ca. 1517 · Red chalk, highlighted with white gouache

Cleared · Public Domain

live
The MetSimilar
Trotting horse by Giambologna, The Metropolitan Museum of Art

Trotting horse

Giambologna (d. 1608)

probably 1587–91 · Bronze

Cleared · Public Domain

live
The MetSimilar
Recollections of the Great Exhibition by Day & Son, Ltd., London, The Metropolitan Museum of Art

Recollections of the Great Exhibition

Day & Son, Ltd., London (d. 1867)

September 1, 1851 · Set of hand-colored lithographs mounted on card stock, in a red cloth-covered portfolio

Cleared · Public Domain

live
The MetSimilar
Coach #786 by Brewster & Co., The Metropolitan Museum of Art

Coach #786

Brewster & Co.

ca. 1865 · Watercolor, ink and metallic ink

Cleared · Public Domain

live
The MetSimilar
Coach #1010 by Brewster & Co., The Metropolitan Museum of Art

Coach #1010

Brewster & Co.

ca. 1870 · Pen and black ink, watercolor and gouache, metallic ink, and gum arabic

Cleared · Public Domain

live
The MetSimilar
Coach #3278 by Brewster & Co., The Metropolitan Museum of Art

Coach #3278

Brewster & Co.

1876 · Pen and black ink, watercolor and gouache with gum arabic and metallic ink (brightwork and hubs)

Cleared · Public Domain

live
The MetSimilar
Coach #3981 by Brewster & Co., The Metropolitan Museum of Art

Coach #3981

Brewster & Co.

1886 · Graphite, pen and black ink, watercolor and gouache with gum arabic and metallic ink

Cleared · Public Domain

live
The MetSimilar
Road Coach #4126 by Brewster & Co., The Metropolitan Museum of Art

Road Coach #4126

Brewster & Co.

1891 · Graphite, pen and black ink, watercolor and gouache with gum arabic

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

National Horse Show, Madison Square Garden, from "Harper's Weekly"

Thure de Thulstrup (d. 1930)

1891 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rearing horse

Unrecorded maker

19th or early 20th century · Bronze

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The National Horse Show, Coach Exhibit, Madison Square Garden, 1927

Herman Haas (d. 1944)

1927 · Lined Albumen Print (?)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"My horse came in third -- what do I have to show?" from Exhibit Comics Cards (W431)

Unrecorded maker

ca. 1940–45 · Commercial color photolithograph

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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