
Seated boy
Unrecorded maker
4th century BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
278 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,488 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Seated boy
Unrecorded maker
4th century BCE · Terracotta
Cleared · Public Domain
live
Seated boy
Unrecorded maker
4th century BCE · Terracotta
Cleared · Public Domain
live
Seated boy
Unrecorded maker
ca. 325–300 BCE · Terracotta
Cleared · Public Domain
live
Terracotta vase in the form of a Black African youth's head
Negro Boy Group
4th century BCE · Terracotta
Cleared · Public Domain
live
The Naughty Children
Frankenthal Porcelain Manufactory
ca. 1770 · Hard-paste porcelain
Cleared · Public Domain
live
Rue des Mauvais Garçons, Paris
Charles Meryon (d. 1868)
1854 · Etching on wove paper; first of three states; lines of verse added in pen and ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Connoisseur and Tired Boy
Anonymous, British, 18th century (d. 1800)
May 15, 1776 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Peter the Wild Boy
Francesco Bartolozzi (d. 1815)
March 1, 1784 · Stipple engraving and etching, printed in brown ink; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Naughty Boy
Sir Edwin Henry Landseer (d. 1873)
ca. 1847 · Etching and engraving on chine collé; proof before letters
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Boy
Thomas Hart Benton (d. 1975)
1948 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled object 858135
Kentucky Boy Tyler
2022 · cotton
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.