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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    278 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,488 matching records exist across the two collections.

Results for "The Naughty Boy"11 records

Institutions answered newest-first by record, interleaved

Seated boy by an unrecorded maker, The Metropolitan Museum of Art

Seated boy

Unrecorded maker

4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Seated boy by an unrecorded maker, The Metropolitan Museum of Art

Seated boy

Unrecorded maker

4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Seated boy by an unrecorded maker, The Metropolitan Museum of Art

Seated boy

Unrecorded maker

ca. 325–300 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta vase in the form of a Black African youth's head by Negro Boy Group, The Metropolitan Museum of Art

Terracotta vase in the form of a Black African youth's head

Negro Boy Group

4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
The Naughty Children by Frankenthal Porcelain Manufactory, The Metropolitan Museum of Art

The Naughty Children

Frankenthal Porcelain Manufactory

ca. 1770 · Hard-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Rue des Mauvais Garçons, Paris by Charles Meryon, The Metropolitan Museum of Art

Rue des Mauvais Garçons, Paris

Charles Meryon (d. 1868)

1854 · Etching on wove paper; first of three states; lines of verse added in pen and ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Connoisseur and Tired Boy

Anonymous, British, 18th century (d. 1800)

May 15, 1776 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Peter the Wild Boy

Francesco Bartolozzi (d. 1815)

March 1, 1784 · Stipple engraving and etching, printed in brown ink; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Naughty Boy

Sir Edwin Henry Landseer (d. 1873)

ca. 1847 · Etching and engraving on chine collé; proof before letters

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Boy

Thomas Hart Benton (d. 1975)

1948 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled object 858135

Kentucky Boy Tyler

2022 · cotton

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.