
Ceiling Design with the Presentation in the Temple
Gregorio de' Ferrari (d. 1726)
1647–1726 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
589 ms. The Metropolitan Museum of Art, Collection API (Open Access)
332 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 97 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ceiling Design with the Presentation in the Temple
Gregorio de' Ferrari (d. 1726)
1647–1726 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue-gray paper
Cleared · Public Domain
live![Sampler by Elizabeth L[ydia] Smith, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ad/web-large/DP168688.jpg)
Sampler
Elizabeth L[ydia] Smith (d. 1841)
1825 · Silk embroidery on linen
Cleared · Public Domain
live
John A. Sidell
John Vanderlyn (d. 1852)
ca. 1830 · Oil on canvas
Cleared · Public Domain
live
The Bone Player
Jean-Baptiste Adolphe Lafosse (d. 1879)
1857 · Hand-colored lithograph
Cleared · Public Domain
live
The Great Pyramid and The Great Sphinx
Francis Frith (d. 1898)
1858 · Albumen silver print from glass negative
Cleared · Public Domain
live
Moonlight on Mount Lafayette, New Hampshire
William Trost Richards (d. 1905)
1873 · Watercolor, gouache, and graphite on gray-green wove paper
Cleared · Public Domain
live
Mountain Torrent
John Singer Sargent (d. 1925)
ca. 1910 · Watercolor, graphite, and wax crayon on white wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The New Oedipus before the New Sphinx (Le nouvel Œdipe devant le nouveau Sphinx), from Actualités
Honoré Daumier (d. 1879)
1851 · Lithograph; first state of two (Delteil)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate
L. T. Lloyde (d. 9999)
ca.1908 · Porcelain, overglaze enamel decoration
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tyg
Newcomb Pottery (d. 1940)
1908 · Painted and glazed earthenware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York from a Seaplane
Everett L. Warner (d. 1963)
ca. 1919 · Pastel on paper adhered to board
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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