Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
925 ms. The Metropolitan Museum of Art, Collection API (Open Access)
293 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,619 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Practical Builder; or Workman's General Assistant; Showing the most Approved and Early Methods for Drawing and Working the Whole and Separate Part of any Building...A new edition, revised and corrected by the author...
William Pain (d. 1794)
1778 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Practical Builder; or Workman's General Assistant Shewing the most approved...Methods for Drawing and Working the whole or separate Part of any Building...The Fourth Edition; Revised and Corrected by the Author
William Pain (d. 1794)
1789 · Illustrations: etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Practical Builder, Or Workman's General Assistant...The Fourth Edition, Revised and Corrected by the Author
William Pain (d. 1794)
1792 · Illustrations: etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Practical Builder, and Workman's Companion, in Carpentery, Masonry, &c. &c., With the Theory and Practise of the Five Orders, As Employed in Decorative Architecture
Peter Nicholson (d. 1844)
1825 · Illustrations: etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The New Practical Builder, and Workman's Companion...
Peter Nicholson (d. 1844)
1823–25 · Illustrations: etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The New Practical Builder, and Workman's Companion...
Peter Nicholson (d. 1844)
1823–25 · Illustrations: engraved vignettes
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Supplement to Bicknell's Village Builder
Amos Jackson Bicknell & Co. (d. 1900)
1871 · Illustrations: transfer lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The New Practical Window Gardener...
John R. Mollison (d. 1929)
1879 · Illustrations: hand colored wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Needle-Craft: artistic and practical. Metropolitan Art Series
The Butterwick Publishing Co. (d. 1950)
1889 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Picture Builder
David Salle (d. 9999)
1993 · Oil, acrylic and graphite on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.