
Grand Parterre du Jardin de la Royne mere a Luxembourg, in "Traité du Jardinage selon les Raisons de la Nature et de l'Art"
Michel van Lochom (d. 1647)
1638 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
237 ms. The Metropolitan Museum of Art, Collection API (Open Access)
287 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 118 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Grand Parterre du Jardin de la Royne mere a Luxembourg, in "Traité du Jardinage selon les Raisons de la Nature et de l'Art"
Michel van Lochom (d. 1647)
1638 · Engraving
Cleared · Public Domain
live
Traité du Jardinage selon les Raisons de la Nature et de l'Art
Michel van Lochom (d. 1647)
1638 · Engraving and woodcut
Cleared · Public Domain
live
View of the side facade of the Palazzo Pamphili and its garden (Secondo prospetto per fianco del palazzo con diversa veduta del giardino del Bel respiro...Pamphilio)
Simon Felice (d. 1699)
after 1677 · Etching
Cleared · Public Domain
live
New Year's Morning
Unrecorded maker
1747 · Hanging scroll; woodblock print; ink on paper
Cleared · Public Domain
live
Prince and Ladies in a Garden
Nidha Mal (d. 1799)
mid-18th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
U. S. Ship North Carolina, 102 Guns
Nathaniel Currier (d. 1888)
1843 · Hand-colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The New Practical Window Gardener...
John R. Mollison (d. 1929)
1879 · Illustrations: hand colored wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Veritas: Design for a Memorial Stained Glass Window
D. Maitland Armstrong (d. 1918)
1890–1918 · Watercolor and pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Garden Room
Louis C. Tiffany (d. 1933)
ca. 1922 · Transparent and opaque watercolor, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Mausoleum in a Landscape
Louis C. Tiffany (d. 1933)
ca. 1930 · Transparent and opaque watercolor, and graphite on paper mounted on paperboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to Lincoln Tunnel, Night-Time
Philip Pearlstein (d. 2022)
1992 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Matisse Landscape Pot
Jonas Wood (d. 9999)
2018 · Oil and acrylic on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.