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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    728 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    265 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "The Newest Fur Facts from the Oldest Fur"11 records

Institutions answered newest-first by record, interleaved

Christ before Caiphas, from "The Passion" by Lucas Cranach the Elder, The Metropolitan Museum of Art

Christ before Caiphas, from "The Passion"

Lucas Cranach the Elder (d. 1553)

1553 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Jupiter by Benvenuto Cellini, The Metropolitan Museum of Art

Jupiter

Benvenuto Cellini (d. 1571)

late 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Caspar, after the "Three Magi" series by Jacques Bellange by Jacques Bellange, The Metropolitan Museum of Art

Caspar, after the "Three Magi" series by Jacques Bellange

Jacques Bellange (d. 1616)

1616 · Etching

Cleared · Public Domain

live
The MetSimilar
Margaret Talbot, Countess of Shrewsbury by James Basire, the elder, The Metropolitan Museum of Art

Margaret Talbot, Countess of Shrewsbury

James Basire, the elder (d. 1802)

1811 · Etching and engraving; second state of two

Cleared · Public Domain

live
The MetSimilar
Mrs. Katherine Matthews by Thomas Sully, The Metropolitan Museum of Art

Mrs. Katherine Matthews

Thomas Sully (d. 1872)

1812–13 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Pelisse by an unrecorded maker, The Metropolitan Museum of Art

Pelisse

Unrecorded maker

ca. 1815 · silk

Cleared · Public Domain

live
The MetSimilar
Hunting Dogs with Dead Hare by Gustave Courbet, The Metropolitan Museum of Art

Hunting Dogs with Dead Hare

Gustave Courbet (d. 1877)

1857 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Carriage boots by an unrecorded maker, The Metropolitan Museum of Art

Carriage boots

Unrecorded maker

1870–1890 · wool, fur, leather

Cleared · Public Domain

live
The MetSimilar
Żaqq by an unrecorded maker, The Metropolitan Museum of Art

Żaqq

Unrecorded maker

19th century · Cane, animal skin, cattle horn

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Newest Fur Facts from the Oldest Fur Factory, Being, in Brief, Letters of Inquiry that we might have received and setting forth in the replies, information that we might have sent

Udelmer C. Adams (d. 1950)

Winter 1898–99 · Photomechanical process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'oeil du tigre I

Bernard Voïta (d. 9999)

1999 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.