
Le Passage de la Mer Rouge (The Passage of the Red Sea)
Jacques Callot (d. 1635)
1629 · Etching; second state of seven (Lieure)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
642 ms. The Metropolitan Museum of Art, Collection API (Open Access)
419 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,377 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Le Passage de la Mer Rouge (The Passage of the Red Sea)
Jacques Callot (d. 1635)
1629 · Etching; second state of seven (Lieure)
Cleared · Public Domain
live
Canal in Autumn (Gisors)
Henri Le Sidaner (d. 1939)
1913 · Painting, oil on canvas
Cleared · CC0
live
Le Passage de la Mer Rouge (The Passage of the Red Sea)
Jacques Callot (d. 1635)
1629 · Etching; second state of seven (Lieure)
Cleared · Public Domain
live
The Happy Passage
Joseph Vernet (d. 1789)
ca. 1765 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Passage de la Mer Rouge (The Passage of the Red Sea)
Jacques Callot (d. 1635)
1629 · Etching; second state of seven (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior Passage in the Colosseum
François Diday (d. 1877)
1825 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
First Discovery of Land by H.M.S. Investigator, September 6th 1850
William Simpson (d. 1899)
1854 · Colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Northwest Passage
Augustin Mongin (d. 1911)
1881 · Mixed method engraving on chine collé; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Passage, Venice
Ernest David Roth (d. 1964)
1906 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Passage
Edgar Imler (d. 1973)
1935–43 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Northwest Passage
David Feinstein (d. 20)
ca. 1935–43 · Color Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
U.S. Icebreakers Traverse Northwest Passage, from the "Power for Peace" series (R701-10), issued by Bowman Gum Company
Bowman Gum Company (d. 1999)
1954 · Commercial color lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.