No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oak Tree
Swiss Painter
1847 · Oil on paper, laid down on wood
In copyright
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
213 ms. The Metropolitan Museum of Art, Collection API (Open Access)
515 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,710 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oak Tree
Swiss Painter
1847 · Oil on paper, laid down on wood
In copyright
live
The Oak Tree and the Reed
Charles François Daubigny (d. 1878)
c. 1873 · Drawing, blue, gray, and black wash, and graphite
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Behind the Arras
Ethel Reed (d. 1900)
1895 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The House of the Trees and Other Poems by Ethelwyn Wetherald
Ethel Reed (d. 1900)
1895 · Relief
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The House of the Trees and other poems, by Ethelwyn Wetherald
Ethel Reed (d. 1900)
1895 · Commercial relief process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Time and the Hour
Ethel Reed (d. 1900)
1896 · Relief
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Quest of the Golden Girl
Ethel Reed (d. 1900)
1897 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Trophy Book; Loving Cups and Trophies in Gold, Sterling Silver, Silver Plate, Pewter and 'Goldyn Bronz'
Reed & Barton (d. 9999)
1924 · Lithography and photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Suggestions in Reed Furniture
The Reed Shop, Inc. (d. 1999)
1920–50 · Illustrations: photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Charm of Reed Furniture
The Reed Shop, Inc. (d. 1999)
1930–50 · Illustrations: photomechanical process
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.