Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    603 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    423 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "The Old Oaken Bucket"12 records

Institutions answered newest-first by record, interleaved

Terracotta situla (bucket) by Lycurgus Painter, The Metropolitan Museum of Art

Terracotta situla (bucket)

Lycurgus Painter

ca. 360–340 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
The Old Oaken Bucket by James Merritt Ives, The Cleveland Museum of Art

The Old Oaken Bucket

James Merritt Ives (d. 1895)

c. 1857–72 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lady Chiyono by Maruyama Ōkyo 円山応挙, The Metropolitan Museum of Art

Lady Chiyono

Maruyama Ōkyo 円山応挙 (d. 1795)

1773 · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Valle Crucis Abbey, Denbighshire by Paul Sandby, The Metropolitan Museum of Art

Valle Crucis Abbey, Denbighshire

Paul Sandby (d. 1809)

1770–79 (?) · Reed pen, with gray and black ink and watercolor over graphite

Cleared · Public Domain

live
The MetSimilar
The Old Oaken Bucket by Frances Flora Bond Palmer, The Metropolitan Museum of Art

The Old Oaken Bucket

Frances Flora Bond Palmer (d. 1876)

1864 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
Jeff's Last Shift by John Cameron, The Metropolitan Museum of Art

Jeff's Last Shift

John Cameron (d. 1896)

1865 · Lithograph

Cleared · Public Domain

live
The MetSimilar
The Old Oaken Bucket which Hung in the Well by an unrecorded maker, The Metropolitan Museum of Art

The Old Oaken Bucket which Hung in the Well

Unrecorded maker

ca. 1890 · Oil on canvas, mounted on masonite

Cleared · Public Domain

live
The MetSimilar
The Old Oaken Bucket, from the Illustrated Songs series (N116) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco by W. Duke, Sons & Co., The Metropolitan Museum of Art

The Old Oaken Bucket, from the Illustrated Songs series (N116) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco

W. Duke, Sons & Co. (d. 1920)

1893 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album 221, Page 51

Unrecorded maker

1887 · Commercial lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Old Oaken Bucket from Song Albums (N270) issued by P. Lorillard Company to promote Mechanics' Delight Tobacco

P. Lorillard Company (d. 2014)

1880s · Commercial lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costumes Parisiens: Costume d'une Demoiselle de 6 à 8 ans

Armand Vallée (d. 1960)

1913 · plates: hand colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Invitation to a Futurist Happening (recto); Landscape (verso)

Mikhail Tarkhanov (d. 1962)

March 5, 1921 · Pen and ink (recto); red ink or watercolor (verso)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.