
Woman Bathing Her Feet at a Brook
Rembrandt (Rembrandt van Rijn) (d. 1669)
1658 · Etching and drypoint, heavy plate tone; first of two states
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
515 ms. The Metropolitan Museum of Art, Collection API (Open Access)
253 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,920 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Woman Bathing Her Feet at a Brook
Rembrandt (Rembrandt van Rijn) (d. 1669)
1658 · Etching and drypoint, heavy plate tone; first of two states
Cleared · Public Domain
live
The Old Willow at a Brook
Georg von Dillis (d. 1841)
1794 · Print, etching
Cleared · CC0
live
Woman under a Willow Tree
Katsukawa Shunshō 勝川春章 (d. 1792)
18th century · Hanging scroll; ink and color on silk
Cleared · Public Domain
live
Landscape with a Poplar and a Willow Tree at the Edge of a Pond
Jean Victor Bertin (d. 1842)
1787–1842 · Black chalk
Cleared · Public Domain
live
Desdemona (The Song of the Willow)
Théodore Chassériau (d. 1856)
1849 · Oil on wood
Cleared · Public Domain
live
The Mouth of a Brook, No. 1
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; first state of two (Schneidermann); trial proof a (Harrington)
Cleared · Public Domain
live
A Brook in a Clearing (possibly "Brook, Valley of Fontcouverte; Study")
Gustave Courbet (d. 1877)
probably 1862 · Oil on canvas
Cleared · Public Domain
live
A Brook in the Forest
Gustave Courbet (d. 1877)
ca. 1868–77 · Oil on canvas
Cleared · Public Domain
live
Willow trees at a brook (Weidenbach near Neuostra)
Emilie Mediz-Pelikan (d. 1908)
1895 · Colored wax crayon, conté crayon, watercolor, graphite, and gum arabic on machine-made wove paper
Cleared · Public Domain
live
Rushing Brook
John Singer Sargent (d. 1925)
ca. 1904–11 · Watercolor, gouache, and graphite on off-white wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mouth of a Brook, No. 1
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; trial proof b (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Arch Brook on the old Riker Estate, East River and 75th Street, New York, in 1869
Eliza Pratt Greatorex (d. 1897)
1875 · Etching with plate tone, on chine collé
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.