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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    638 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    277 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 177 matching records exist across the two collections.

Results for "The Omnibus"12 records

Institutions answered newest-first by record, interleaved

The London Omnibus by Nadar, The Metropolitan Museum of Art

The London Omnibus

Nadar (d. 1910)

ca. 1852–63 · Pen and ink, brush and wash and white gouache over graphite

Cleared · Public Domain

live
The MetSimilar
The Omnibus by Frank Wilcox, The Cleveland Museum of Art

The Omnibus

Frank Wilcox (d. 1964)

c. 1919 · Print, etching

Cleared · CC0

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Cleveland Museum of ArtSimilar
Advertisement for Street Car and Omnibus made by John Stephenson of New York by John Durand III, The Metropolitan Museum of Art

Advertisement for Street Car and Omnibus made by John Stephenson of New York

John Durand III

1865 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
In the Omnibus by Mary Cassatt, The Cleveland Museum of Art

In the Omnibus

Mary Cassatt (d. 1926)

1890–91 · Print, color drypoint and aquatint

Cleared · CC0

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Cleveland Museum of ArtSimilar
Fifth Avenue Omnibuses: Proposed Design for the New Fifth Ave Omnibus & The Old Broadway Stages in 1831, from "Harper's Weekly" by Harper's Weekly, The Metropolitan Museum of Art

Fifth Avenue Omnibuses: Proposed Design for the New Fifth Ave Omnibus & The Old Broadway Stages in 1831, from "Harper's Weekly"

Harper's Weekly (d. 1916)

December 5, 1885 · Wood engraving

Cleared · Public Domain

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The MetSimilar
Interior of an Omnibus by Honoré Daumier, The Cleveland Museum of Art

Interior of an Omnibus

Honoré Daumier (d. 1879)

1864, printed 1920 · Print, wood engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Omnibus

William Heath ('Paul Pry') (d. 1840)

1825–40 · Etching

In copyright

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The MetSimilar
An Omnibus Waiting Room by Honoré Daumier, The Cleveland Museum of Art

An Omnibus Waiting Room

Honoré Daumier (d. 1879)

1862, printed 1920 · Print, wood engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In the Omnibus

Mary Cassatt (d. 1926)

1890–91 · Drypoint and aquatint, printed in color from three plates; seventh state of seven (Mathews & Shapiro)

In copyright

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The MetSimilar
The Omnibus:  Full! by Honoré Daumier, The Cleveland Museum of Art

The Omnibus: Full!

Honoré Daumier (d. 1879)

1862, printed 1920 · Print, wood engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In the Omnibus, after Mary Cassatt

Janet Lee Kadesky Ruttenberg

1975–77 · Drypoint and soft-ground etching, printed in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In the Omnibus, after Mary Cassatt

Janet Lee Kadesky Ruttenberg

1975–77 · Drypoint printed in black with touch of red on white wove (Arches) paper ("master plate"), with corrections in pencil

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.