
The London Omnibus
Nadar (d. 1910)
ca. 1852–63 · Pen and ink, brush and wash and white gouache over graphite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
638 ms. The Metropolitan Museum of Art, Collection API (Open Access)
277 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 177 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The London Omnibus
Nadar (d. 1910)
ca. 1852–63 · Pen and ink, brush and wash and white gouache over graphite
Cleared · Public Domain
live
The Omnibus
Frank Wilcox (d. 1964)
c. 1919 · Print, etching
Cleared · CC0
live
Advertisement for Street Car and Omnibus made by John Stephenson of New York
John Durand III
1865 · Wood engraving
Cleared · Public Domain
live
In the Omnibus
Mary Cassatt (d. 1926)
1890–91 · Print, color drypoint and aquatint
Cleared · CC0
live
Fifth Avenue Omnibuses: Proposed Design for the New Fifth Ave Omnibus & The Old Broadway Stages in 1831, from "Harper's Weekly"
Harper's Weekly (d. 1916)
December 5, 1885 · Wood engraving
Cleared · Public Domain
live
Interior of an Omnibus
Honoré Daumier (d. 1879)
1864, printed 1920 · Print, wood engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Omnibus
William Heath ('Paul Pry') (d. 1840)
1825–40 · Etching
In copyright
live
An Omnibus Waiting Room
Honoré Daumier (d. 1879)
1862, printed 1920 · Print, wood engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Omnibus
Mary Cassatt (d. 1926)
1890–91 · Drypoint and aquatint, printed in color from three plates; seventh state of seven (Mathews & Shapiro)
In copyright
live
The Omnibus: Full!
Honoré Daumier (d. 1879)
1862, printed 1920 · Print, wood engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Omnibus, after Mary Cassatt
Janet Lee Kadesky Ruttenberg
1975–77 · Drypoint and soft-ground etching, printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Omnibus, after Mary Cassatt
Janet Lee Kadesky Ruttenberg
1975–77 · Drypoint printed in black with touch of red on white wove (Arches) paper ("master plate"), with corrections in pencil
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.