
The Flims Room
Unrecorded maker
ca. 1682–84 · Walnut, maple, sycamore and other native woods
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1243 ms. The Metropolitan Museum of Art, Collection API (Open Access)
432 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,974 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Flims Room
Unrecorded maker
ca. 1682–84 · Walnut, maple, sycamore and other native woods
Cleared · Public Domain
live
Wall Panels: The Gardener, Horticulture, The Vineyard, The See-Saw, The Swing
Nicolas Lancret (d. 1743)
c. 1723–27 · Painting, oil on canvas
Cleared · CC0
live
Damascus Room
Unrecorded maker
dated 1119 AH/1707 CE · Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
Cleared · Public Domain
live
Upper Paneling from a Sacristy Armoire
Giuliano da Maiano (d. 1490)
c. 1460–75 · Furniture and woodwork, walnut, inlaid with holly and ebony
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior of Somerindyke House in which Louis Philippe, late king of the French, taught school, from Valentine's Manual
Sarony, Major & Knapp (d. 1867)
1863 · Color lithograph
In copyright
live
Horse Race at the Kamo Shrine
Unrecorded maker
early to mid-1600s · Painting, Pair of six-panel folding screens; ink and color on gilded paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Passage to Panelled Room
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
live
The Last Supper (pair)
Lucantonio degli Uberti
c. 1500 · Print, engraving on two sheets printed from two plates
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Panelled Room
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
live
Kneeling Carthusian Monk
Unrecorded maker
c. 1380–1400 · Sculpture, marble
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Elevation for panelled room
Ogden Codman, Jr. (d. 1951)
1902 · Pencil and watercolor
In copyright
live
The Last Supper
Lucantonio degli Uberti
c. 1500 · Print, engraving on two sheets printed from two plates
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.