
Relief showing the Aten interacting with the queen
Unrecorded maker
ca. 1347–1330 BCE · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
279 ms. The Metropolitan Museum of Art, Collection API (Open Access)
500 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,708 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Relief showing the Aten interacting with the queen
Unrecorded maker
ca. 1347–1330 BCE · Limestone
Cleared · Public Domain
live
Pantheon Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Monogrammist G.A. with the Caltrop (d. 1535)
Plate ca. 1530–1550 · Engraving [moved slightly during printing]
Cleared · Public Domain
live
The Pantheon with cutaway showing the interior, from the "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
live
The Pantheon, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
live
The Pantheon, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving; copy, second state of three (Robert-Dumesnil)
Cleared · Public Domain
live
Daoist priest’s ritual robe with deities of the pantheon
Unrecorded maker
late 16th to early 17th century · Silk and metal thread embroidery on silk satin
Cleared · Public Domain
live
The Pantheon, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet (d. 1566)
1649 · Engraving; second state of two (Robert-Dumesnil)
Cleared · Public Domain
live
Cutaway coat
Unrecorded maker
1780–90 · silk
Cleared · Public Domain
live
Broadside with 48 scenes showing the holy Friday procession in Madrid
José María Marés (d. 1870)
1864 · Wood engraving
Cleared · Public Domain
live
The Pantheon, from the Terrace of the Luxembourg Gardens
James McNeill Whistler (d. 1903)
1893 · Transfer lithograph with stumping, printed in black ink on cream laid paper; only state (Chicago)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Pantheon in Oxford Street
William Humphrey (d. 1814)
January 20, 1772 · Mezzotint with etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate for Pantheon (Eclipse)
Chuck Webster (d. 9999)
2019 · Steel-faced copper etching plate
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.