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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    499 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 135 matching records exist across the two collections.

Results for "The Pantheon. Interior of the Portico (V"12 records

Institutions answered newest-first by record, interleaved

Reconstruction of the Pantheon in Rome, seen from the side, cut away to reveal the interior by Anonymous, The Metropolitan Museum of Art

Reconstruction of the Pantheon in Rome, seen from the side, cut away to reveal the interior

Anonymous

1553 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pantheon, portico,  plan (recto) Pantheon, portico, details and perspective (verso) by Anonymous, French, 16th century, The Metropolitan Museum of Art

Pantheon, portico, plan (recto) Pantheon, portico, details and perspective (verso)

Anonymous, French, 16th century (d. 1600)

early to mid-16th century · Dark brown ink, black chalk, and incised lines

Cleared · Public Domain

live
The MetSimilar
The Pantheon with cutaway showing the interior, from the "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

The Pantheon with cutaway showing the interior, from the "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
The Entrance Portico of the Château d'Anet, seen from the interior of the courtyard by Jean Lubin Vauzelle, The Metropolitan Museum of Art

The Entrance Portico of the Château d'Anet, seen from the interior of the courtyard

Jean Lubin Vauzelle (d. 1837)

n.d. · Pen and black ink, watercolor, over black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Pantheon. Interior of the Portico (Veduta interna del Pronao del Panteon)

Giovanni Battista Piranesi (d. 1778)

ca. 1769 · etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior view of the Pantheon, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior view of the Pronaos of the Pantheon, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of three (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Huitième Cahier du Recueil d'Ornemens: Frise des Entre-Pilastres du portique du Panthéon (Frieze(s) taken from the Portico of the Pantheon in Rome)

Elisabeth Brinclaire (d. 1851)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Large illustration of a part of the Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi (d. 1810)

ca. 1750–80 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Large illustration of a part of the Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi (d. 1810)

ca. 1750–80 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Large modinature of the first order of the interior of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi (d. 1810)

ca. 1750–80 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Section of the length of the Pantheon that illustrates the Pronao, or Portico and the interior of the Temple, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi (d. 1810)

1786 · Etching

In copyright

live
The MetSimilar

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