
Reconstruction of the Pantheon in Rome, seen from the side, cut away to reveal the interior
Anonymous
1553 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
499 ms. The Metropolitan Museum of Art, Collection API (Open Access)
329 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 135 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Reconstruction of the Pantheon in Rome, seen from the side, cut away to reveal the interior
Anonymous
1553 · Engraving
Cleared · Public Domain
live
Pantheon, portico, plan (recto) Pantheon, portico, details and perspective (verso)
Anonymous, French, 16th century (d. 1600)
early to mid-16th century · Dark brown ink, black chalk, and incised lines
Cleared · Public Domain
live
The Pantheon with cutaway showing the interior, from the "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
live
The Entrance Portico of the Château d'Anet, seen from the interior of the courtyard
Jean Lubin Vauzelle (d. 1837)
n.d. · Pen and black ink, watercolor, over black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Pantheon. Interior of the Portico (Veduta interna del Pronao del Panteon)
Giovanni Battista Piranesi (d. 1778)
ca. 1769 · etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior view of the Pantheon, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior view of the Pronaos of the Pantheon, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; first state of three (Hind)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Huitième Cahier du Recueil d'Ornemens: Frise des Entre-Pilastres du portique du Panthéon (Frieze(s) taken from the Portico of the Pantheon in Rome)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large illustration of a part of the Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi (d. 1810)
ca. 1750–80 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large illustration of a part of the Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi (d. 1810)
ca. 1750–80 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large modinature of the first order of the interior of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi (d. 1810)
ca. 1750–80 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Section of the length of the Pantheon that illustrates the Pronao, or Portico and the interior of the Temple, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi (d. 1810)
1786 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.