Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    370 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,485 matching records exist across the two collections.

Results for "The Passion: The Raising of Lazarus"12 records

Institutions answered newest-first by record, interleaved

The Raising of Lazarus by Lucas van Leyden, The Metropolitan Museum of Art

The Raising of Lazarus

Lucas van Leyden (d. 1533)

ca. 1507 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Passion:  The Raising of Lazarus by Urs Graf the Elder, The Cleveland Museum of Art

The Passion: The Raising of Lazarus

Urs Graf the Elder

before 1508 · Print, woodcut handcolored with watercolor

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Raising of Lazarus by Lambert Suavius, The Metropolitan Museum of Art

The Raising of Lazarus

Lambert Suavius (d. 1576)

1544 · Engraving

Cleared · Public Domain

live
The MetSimilar
Diptych with Scenes from the Life of Christ (left wing: Raising of Lazarus and Crucifixion) by an unrecorded maker, The Cleveland Museum of Art

Diptych with Scenes from the Life of Christ (left wing: Raising of Lazarus and Crucifixion)

Unrecorded maker

c. 1350–1375 · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Raising of Lazarus by Jan Muller, The Metropolitan Museum of Art

The Raising of Lazarus

Jan Muller (d. 1628)

ca. 1600 · Engraving; New Holl.'s second state of three

Cleared · Public Domain

live
The MetSimilar
Diptych with Scenes from the Life of Christ (left wing: Raising of Lazarus and Crucifixion) (right wing: Entry into Jerusalem and Entombment) by an unrecorded maker, The Cleveland Museum of Art

Diptych with Scenes from the Life of Christ (left wing: Raising of Lazarus and Crucifixion) (right wing: Entry into Jerusalem and Entombment)

Unrecorded maker

c. 1350–1375 · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Raising of Lazarus by Jacques Bellange, The Metropolitan Museum of Art

The Raising of Lazarus

Jacques Bellange (d. 1616)

ca. 1606–8 · Pen and brown ink, brown wash

Cleared · Public Domain

live
The MetSimilar
Diptych with Scenes from the Life of Christ (right wing: Entry into Jerusalem and Entombment) by an unrecorded maker, The Cleveland Museum of Art

Diptych with Scenes from the Life of Christ (right wing: Entry into Jerusalem and Entombment)

Unrecorded maker

c. 1350–1375 · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Raising of Lazarus by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

The Raising of Lazarus

Guercino (Giovanni Francesco Barbieri) (d. 1666)

ca. 1619 · Pen and brown ink, brush and brown wash, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
The Raising of Lazarus by an unrecorded maker, The Metropolitan Museum of Art

The Raising of Lazarus

Unrecorded maker

ca. 1620 · Terracotta

Cleared · Public Domain

live
The MetSimilar
Raising of Lazarus by Giovanni Benedetto Castiglione (Il Grechetto), The Metropolitan Museum of Art

Raising of Lazarus

Giovanni Benedetto Castiglione (Il Grechetto) (d. 1664)

1645–50 · Etching

Cleared · Public Domain

live
The MetSimilar
The Raising of Lazarus by Salvator Rosa, The Metropolitan Museum of Art

The Raising of Lazarus

Salvator Rosa (d. 1673)

1615–73 · Pen and brown ink, brush and brown wash, over a little black chalk

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.