Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    519 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 98 matching records exist across the two collections.

Results for "The Persian Sibyl (no. 31), from Series"12 records

Institutions answered newest-first by record, interleaved

Persian Sibyl, from the series of Sibyls by Lucas van Leyden, The Metropolitan Museum of Art

Persian Sibyl, from the series of Sibyls

Lucas van Leyden (d. 1533)

ca. 1530 · Woodcut

Cleared · Public Domain

live
The MetSimilar
The Persian Sibyl, from "Prophets and Sibyls in the Sistine Chapel" by Giorgio Ghisi, The Metropolitan Museum of Art

The Persian Sibyl, from "Prophets and Sibyls in the Sistine Chapel"

Giorgio Ghisi (d. 1582)

1570–75 · Engraving; second state of three (BLL)

Cleared · Public Domain

live
The MetSimilar
The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel by Giorgio Ghisi, The Metropolitan Museum of Art

The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel

Giorgio Ghisi (d. 1582)

1570–75 · Engraving; first state of three (BLL)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Cumean Sibyl (no. 24), from Series of Studies from the Ceiling of the Sistine Chapel

Adamo (Ghisi) Scultori (d. 1587)

1585 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Delphic Sibyl (no. 26), from Series of Studies from the Ceiling of the Sistine Chapel

Adamo (Ghisi) Scultori (d. 1587)

1585 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Eritrean Sibyl (no. 29), from Series of Studies from the Ceiling of the Sistine Chapel

Adamo (Ghisi) Scultori (d. 1587)

1585 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Libyan Sibyl (no. 22), from Series of Studies from the Ceiling of the Sistine Chapel

Adamo (Ghisi) Scultori (d. 1587)

1585 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Persian Sibyl (no. 31), from Series of Studies from the Ceiling of the Sistine Chapel

Adamo (Ghisi) Scultori (d. 1587)

1585 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Loretta Young, No. 31, bakery card from the Film Stars series (D32), issued by the Drake Brothers Bakery

Drake Brothers Bakery

1932 · Commercial photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

No. 31, U. S. S. Louisville, collector card from the Our Navy series (D62), issued by the Kelley Baking Company

Kelley Baking Company

1942 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

No. 31, Aston-Martin, bakery insert card from the Sports Cars 1955 series (D72), issued by Mother's Cookies

Mother's Cookies (d. 2008)

1955 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

No. 31, from the Hopalong Cassidy bread labels series (D290-8) issued by Bond Bread

Bond Bread

1950s · Commercial color lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.