
The Sacrifice of Polyxena
Giovanni David (d. 1790)
1776 · Etching and aquatint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
774 ms. The Metropolitan Museum of Art, Collection API (Open Access)
589 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 461 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Sacrifice of Polyxena
Giovanni David (d. 1790)
1776 · Etching and aquatint
Cleared · Public Domain
live
Snuffbox with portrait of a child holding a dog
David Lhonorey (d. 1852)
1782–83 · Gold, enamel
Cleared · Public Domain
live
The Lictors Bringing Brutus the Bodies of his Sons
Jacques Louis David (d. 1825)
1787 · Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache
Cleared · Public Domain
live
Study for The Lictors Bringing Brutus the Bodies of his Sons
Jacques Louis David (d. 1825)
ca. 1788 · Black chalk and brown ink on paper
Cleared · Public Domain
live
Mary, Queen of Scots at the execution block (from "The History of England")
David Hume (d. 1776)
June 1795 · Etching and engraving
Cleared · Public Domain
live
Théodore Pavie (1811–1896), Orientalist, friend of the artist
Pierre Jean David d'Angers (d. 1856)
1832 · Bronze, cast - single
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David Flees from Absalom from The History of Saul and David
Maerten de Vos (d. 1603)
1580–1590 · Engraving; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The History of England, from the Invasion of Julius Cæsar to the Revolution in 1688
David Hume (d. 1776)
1806 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
History of Prominent Mercantile and Manufacturing Firms in the United States with a Collection of Truthful Illustrations, Representing Mercantile Buildings, Manufacturing Establishments, and Articles Manufactured
David Bigelow (d. 1900)
1857
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Personal History of David Copperfield
Charles Dickens (d. 1870)
[1870] · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Becca
David Smith (d. 1965)
1965 · Stainless steel
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Colombe d'Or
David Diao (d. 9999)
1972 · Acrylic on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.