![[The Photographer before his Tent on the Site of the Pyramid of Khafre (Chephren)] by George Wilson Bridges, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP247484.jpg)
[The Photographer before his Tent on the Site of the Pyramid of Khafre (Chephren)]
George Wilson Bridges (d. 1864)
1851 · Salted paper print from paper negative
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
260 ms. The Metropolitan Museum of Art, Collection API (Open Access)
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 28,769 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![[The Photographer before his Tent on the Site of the Pyramid of Khafre (Chephren)] by George Wilson Bridges, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP247484.jpg)
[The Photographer before his Tent on the Site of the Pyramid of Khafre (Chephren)]
George Wilson Bridges (d. 1864)
1851 · Salted paper print from paper negative
Cleared · Public Domain
live
Krishna's Butter Ball, Mahabalipuram
Unidentified Photographer
c. 1900s · Photograph, Gelatin silver print, toned, on collodion printing-out paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Photographer
Jacob Lawrence (d. 2000)
1942 · Watercolor, gouache, and graphite on paper
In copyright
live
Two Children with Toys
Unidentified Photographer
c. 1855 · Photograph, daguerreotype, quarter-plate
Cleared · CC0
live
Temple Tank, Tamil Nadu
Unrecorded maker
c. 1860 · Photograph, stereoscopic albumen print
Cleared · CC0
live
Before the Race
Edgar Degas (d. 1917)
c. 1887–89 · Drawing, pastel with charcoal underdrawing on tracing paper mounted on cardboard
Cleared · CC0
live
Servants at Rhagatt, Corwen, North Wales
John Lloyd (d. 1865)
c. 1860 · Photograph, albumen print from wet collodion negative
Cleared · CC0
live
Two Shepherdesses Resting with Two Sheep
Auguste Giraudon's Artist
late 1870s · Photograph, albumen print from wet collodion negative
Cleared · CC0
live
Rue de la Montagne-Sainte-Geneviève
Eugène Atget (d. 1927)
1898 · Photograph, albumen print, gold toned
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.