Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
327 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 29 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Piazza San Marco, Venice
Francesco Guardi (d. 1793)
1780s · Drawing, pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black ink
Cleared · CC0
live
Piazza San Marco, Venice
Bernardo Bellotto (d. 1780)
c. 1740 · Painting, oil on canvas
Cleared · CC0
live
A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto)
Francesco Guardi (d. 1793)
1782 · Drawing, pen and brown ink with brush and brown wash
Cleared · CC0
live
A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto); Three Sketches of Arches (verso)
Francesco Guardi (d. 1793)
1782 · Drawing, pen and brown ink with brush and brown wash
Cleared · CC0
live
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
Lievin Cruyl (d. 1720)
1664 · Drawing, pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink
Cleared · CC0
live
Eighteen Views of Rome: The Piazza Farnese (recto)
Lievin Cruyl (d. 1720)
1664 · Drawing, pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink
Cleared · CC0
live
Eighteen Views of Rome: The Piazza Colonna
Lievin Cruyl (d. 1720)
1664 · Drawing, pen and brown ink and brush and gray and blue wash over stylus and graphite; framing lines in brown ink
Cleared · CC0
live
The Abduction of a Sabine Woman
Andrea Andreani (d. 1610)
1584 · Print, chiaroscuro woodcut
Cleared · CC0
live
Eighteen Views of Rome: The Piazza del Popolo (recto)
Lievin Cruyl (d. 1720)
1664 · Drawing, pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown ink
Cleared · CC0
live
Eighteen Views of Rome: The Piazza Barberini (recto)
Lievin Cruyl (d. 1720)
1665 · Drawing, pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)
Cleared · CC0
live
Eighteen Views of Rome: The Campidoglio
Lievin Cruyl (d. 1720)
1665 · Drawing, pen and brown ink and brush and gray wash over graphite; framing lines in brown ink
Cleared · CC0
live
Equestrian Statue of Marcus Aurelius
Nicolas Beatrizet (d. 1565)
1548 · Print, engraving
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.