Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    383 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    332 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 73 matching records exist across the two collections.

Results for "The Pleasures of the Country – Sweet Hom"12 records

Institutions answered newest-first by record, interleaved

A Country House Near Paris: --Well, my dear... it's a good thing we had the idea to plant a house. Without it, we wouldn't have had shade all summer! from The Pleasures of a Country Holiday, published in Le Charivari by Honoré Daumier, The Metropolitan Museum of Art

A Country House Near Paris: --Well, my dear... it's a good thing we had the idea to plant a house. Without it, we wouldn't have had shade all summer! from The Pleasures of a Country Holiday, published in Le Charivari

Honoré Daumier (d. 1879)

May 24, 1858 · Lithograph on newsprint; second state of two (Delteil)

Cleared · Public Domain

live
The MetSimilar
The Mountain Nymph Sweet Liberty by Julia Margaret Cameron, The Metropolitan Museum of Art

The Mountain Nymph Sweet Liberty

Julia Margaret Cameron (d. 1879)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Snap the Whip by Winslow Homer, The Metropolitan Museum of Art

Snap the Whip

Winslow Homer (d. 1910)

1872 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Country Life – October Afternoon

Frances Flora Bond Palmer (d. 1876)

1855 · Two-stone lithograph, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Country Life: Pleasures of Winter

Frances Flora Bond Palmer (d. 1876)

1855 · Hand-colored lithograph with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Four Seasons of Life – Childhood: "The Season of Joy"

Frances Flora Bond Palmer (d. 1876)

1868 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Four Seasons of Life – Middle Age "The Season of Strength"

Frances Flora Bond Palmer (d. 1876)

1868 · Hand-coloroed lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Four Seasons of Life – Middle Age: "The Season of Strength"

Charles Richard Parsons (d. 1918)

1868 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Pleasures of the Country – Sweet Home

Currier & Ives (d. 1907)

1869 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pleasures of the Country – Winter

Currier & Ives (d. 1907)

1868–94 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Card No. 194, Peace and War in the Champagne Country, from the World War I Scenes series (T121) issued by Sweet Caporal Cigarettes

American Tobacco Company

1914–15 · Photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Joie de Campagne (Pleasures of the Country), a "Wigglemuch" Design

Herbert E. Crowley (d. 1937)

1902–36 · Watercolor and black ink

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.