
Model for a portrait medal of Francesco Redi
Massimiliano Soldani (d. 1740)
1677 · Wax on slate.
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
519 ms. The Metropolitan Museum of Art, Collection API (Open Access)
271 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Model for a portrait medal of Francesco Redi
Massimiliano Soldani (d. 1740)
1677 · Wax on slate.
Cleared · Public Domain
live
Olivier Journu (1724–1783)
Jean-Baptiste Perronneau (d. 1783)
1756 · Pastel on blue-gray laid paper, laid down on canvas
Cleared · Public Domain
live
Vertumnus and Pomona from a set of Scenes from Operas
François Boucher (d. 1770)
1758–76 · Wool, silk (21-22 warps per inch, 8 per cm.)
Cleared · Public Domain
live
Visitors leaving a prison
Hubert Robert (d. 1808)
1794–95 · Pen and dark gray ink, brush and gray wash with watercolor over black chalk underdrawing; framing lines in pen and brown ink
Cleared · Public Domain
live
The Gaze
Pierre-Louis Pierson (d. 1913)
1856–57 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La prêtresse
Pierre-Louis Pierson (d. 1913)
1861–67 · Salted paper print from glass negative overpainted with watercolor and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Poet Robert de Montesquiou
Paul-Albert Besnard (d. 1934)
1889 · Etching; sixth state of six
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flora
Paul-Albert Besnard (d. 1934)
1899 · Etching; third state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Inextricable Graveur
Robert de Montesquiou (d. 1921)
1913 · Reproductions of etchings and lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Inextricable Graveur
Robert de Montesquiou (d. 1921)
1913
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Divine Comtesse, Étude d'Apres Madame de Castiglione
Robert de Montesquiou (d. 1921)
1913
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rayograph
Man Ray (d. 1976)
1923 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.