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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    476 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,367 matching records exist across the two collections.

Results for "The Pond at the Entrance of the Woods"12 records

Institutions answered newest-first by record, interleaved

The Hunters Enter the Woods (from the Unicorn Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

The Hunters Enter the Woods (from the Unicorn Tapestries)

Unrecorded maker

1495–1505 · Wool warp, wool, silk, silver, and gilt wefts

Cleared · Public Domain

live
The MetSimilar
The Pond at the Entrance of the Woods by Jean Baptiste Camille Corot, The Cleveland Museum of Art

The Pond at the Entrance of the Woods

Jean Baptiste Camille Corot (d. 1875)

c. 1860–75 · Painting, oil on fabric

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ruin at the Entrance of a Town by Anthonie Waterloo, The Metropolitan Museum of Art

Ruin at the Entrance of a Town

Anthonie Waterloo (d. 1690)

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Il Gobbo dei Carracci by Arthur Pond, The Metropolitan Museum of Art

Il Gobbo dei Carracci

Arthur Pond (d. 1758)

1736 · Etching and aquatint, brown ink

Cleared · Public Domain

live
The MetSimilar
The Edge of the Woods at Monts-Girard, Fontainebleau Forest by Théodore Rousseau, The Metropolitan Museum of Art

The Edge of the Woods at Monts-Girard, Fontainebleau Forest

Théodore Rousseau (d. 1867)

1852–54 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
In the Woods by Asher Brown Durand, The Metropolitan Museum of Art

In the Woods

Asher Brown Durand (d. 1886)

1855 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Zoological Garden by Louis-Pierre-Théophile Dubois de Nehaut, The Metropolitan Museum of Art

Zoological Garden

Louis-Pierre-Théophile Dubois de Nehaut (d. 1872)

1854–56 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Woods in Autumn

Currier & Ives (d. 1907)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Encombe Woods, No. 1

Sir Francis Seymour Haden (d. 1910)

1881 · Etching with graphite (counterproof); second state of four (Schneiderman); trial proof b (Harrington)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Encombe Woods, No. 1

Sir Francis Seymour Haden (d. 1910)

1881 · Etching with graphite; cancelled plate (Harrington); fourth state of four (fragment, cancelled plate) (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Pond - Moonrise

Edward J. Steichen (d. 1973)

1904 · Platinum print with applied color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woods at Deerfield (Our Retreat in the Woods, Deerfield, Illinois)

Ivan Albright (d. 1983)

1962 · Lithograph

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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