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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    323 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "The Power of Drink"7 records

Institutions answered newest-first by record, interleaved

Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025) by an unrecorded maker, The Cleveland Museum of Art

Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025)

Unrecorded maker

1444 · Manuscript, Opaque watercolor, ink, gold, and silver on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tankard by an unrecorded maker, The Cleveland Museum of Art

Tankard

Unrecorded maker

1665 · Silver, silver gilt

Cleared · CC0

live
Cleveland Museum of ArtSimilar
View of the Acqua Acetosa (recto) by Claude Lorrain, The Cleveland Museum of Art

View of the Acqua Acetosa (recto)

Claude Lorrain (d. 1682)

c. 1645 · Drawing, pen and brown ink and brush and brown wash over graphite, framing lines in brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
View of the Acqua Acetosa (recto); David and Goliath (verso) by Claude Lorrain, The Cleveland Museum of Art

View of the Acqua Acetosa (recto); David and Goliath (verso)

Claude Lorrain (d. 1682)

c. 1645 · Drawing, pen and brown ink and brush and brown wash over graphite, framing lines in brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Covered Tureen on Stand by Paul Storr, The Cleveland Museum of Art

Covered Tureen on Stand

Paul Storr (d. 1844)

1812 · Silver, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saint John the Evangelist by an unrecorded maker, The Cleveland Museum of Art

Saint John the Evangelist

Unrecorded maker

1450–1475 · Sculpture, gilt bronze or brass

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Silenus and King Midas by Giulio Bonasone, The Cleveland Museum of Art

Silenus and King Midas

Giulio Bonasone (d. 1576)

mid-1500s · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.