Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    403 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 46 matching records exist across the two collections.

Results for "The Power of Memory"10 records

Institutions answered newest-first by record, interleaved

The Power of Women: Samson and Delilah by Lucas van Leyden, The Cleveland Museum of Art

The Power of Women: Samson and Delilah

Lucas van Leyden (d. 1533)

c. 1512 · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Power of Women: The Poet Virgil Suspended in a Basket by Lucas van Leyden, The Cleveland Museum of Art

The Power of Women: The Poet Virgil Suspended in a Basket

Lucas van Leyden (d. 1533)

c. 1512 · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Book of Hours (Use of Rouen): fol. 13r, The Four Evangelists by Master of the Geneva Latini, The Cleveland Museum of Art

Book of Hours (Use of Rouen): fol. 13r, The Four Evangelists

Master of the Geneva Latini

c. 1470 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Solidus of Justinian I (obverse) by an unrecorded maker, The Cleveland Museum of Art

Solidus of Justinian I (obverse)

Unrecorded maker

c. 545–565 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Solidus of Justinian I by an unrecorded maker, The Cleveland Museum of Art

Solidus of Justinian I

Unrecorded maker

c. 545–65 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
St. John the Evangelist by Charles de La Fosse, The Cleveland Museum of Art

St. John the Evangelist

Charles de La Fosse (d. 1716)

c. 1700–1702 · Drawing, black, red, and white chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Curtain Panel with Scenes of Merrymaking by an unrecorded maker, The Cleveland Museum of Art

Curtain Panel with Scenes of Merrymaking

Unrecorded maker

500s · Textile, Linen, undyed; wool: dyed; tapestry weave with supplementary weft wrapping

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Covered Tureen on Stand by Paul Storr, The Cleveland Museum of Art

Covered Tureen on Stand

Paul Storr (d. 1844)

1812 · Silver, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Niagara Falls by Moonlight by Frederic Edwin Church, The Cleveland Museum of Art

Niagara Falls by Moonlight

Frederic Edwin Church (d. 1900)

probably 1856 · Drawing, graphite and white gouache

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fruit Basket by Paul Jacques de Lamerie, The Cleveland Museum of Art

Fruit Basket

Paul Jacques de Lamerie (d. 1751)

1729 · Silver, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.