
The Prison
Anonymous, Italian, 16th century (d. 1600)
1550–1600 · Engraving; copy
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
243 ms. The Metropolitan Museum of Art, Collection API (Open Access)
422 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,216 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Prison
Anonymous, Italian, 16th century (d. 1600)
1550–1600 · Engraving; copy
Cleared · Public Domain
live
The Game of Bowls
Giovanni Domenico Tiepolo (d. 1804)
1797–1804 · Drawing, pen and brown ink and brush and brown wash, over traces of black chalk; framing lines in brown ink over graphite on antique laid paper
Cleared · CC0
live
The Prison
Anonymous
n.d. · Engraving
Cleared · Public Domain
live
Joseph Interprets the Dreams in Prison
Lucas van Leyden (d. 1533)
1512 · Print, engraving
Cleared · CC0
live
The Prison Tower
Andrew Fisher Bunner (d. 1897)
1876 · Black ink and graphite traces on off-white laid paper
Cleared · Public Domain
live
Souvenir of the Prison ot Ste. Pélagie
Honoré Daumier (d. 1879)
1834 · Print, lithograph
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Stage Set Representing the Prison of Amadis, from Liure de Decoration Diferante, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
live
Jailer Receiving the Mahant of Tarakeshwar in Prison
Unrecorded maker
c. 1890 · Painting, Black ink, gum tempera, and tin paint, with graphite underdrawing on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lochleven Castle, the Prison of Mary Queen of Scots in 1567-8
Charles John Smith (d. 1838)
1840 · Etching
In copyright
live
Views: The Prison, Venice
Antonio Canaletto (d. 1768)
1735–1746 · Print, etching
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Scene in the Prison at Chicago, from "The Graphic," vol. 2
Arthur Boyd Houghton (d. 1875)
July 9, 1870 · Wood engraving
In copyright
live
Writing Books under the Pine Trees
Wang Meng (d. 1385)
c. 1308–85 · Painting, Album leaf; ink and color on paper
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.