Plate (piatto): The Prodigal Son among the swine
Maestro Giorgio Andreoli (d. 1550)
1525 · Maiolica (tin-glazed earthenware)
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
431 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
275 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21 matching records exist across the two collections.
Results for "The Prodigal Son (2nd Plate)"12 records
Institutions answered newest-first by record, interleaved
The Prodigal Son (2nd Plate)
Alphonse Legros (d. 1911)
c. 1857–1911 · Print, etching
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Prodigal Son Guarding Pigs, plate 3 from "The Prodigal Son" (L'Histoire de l'Enfant Prodigue)
Anonymous
ca. 1636 · Etching and engraving
Cleared · Public Domain
liveThe MetSimilar
The Prodigal Son Leaves Home, plate 1 from "The Prodigal Son" (Histoire de l'Enfant Prodigue)
Abraham Bosse (d. 1676)
ca. 1636 · Etching
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of the Prodigal Son, from The Parable of the Prodigal Son, plate 4
Dirck Volckertsz Coornhert (d. 1590)
ca 1548 · Woodcut
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodical Son Eating with the Swine, from The Parable of the Prodigal Son, plate 3
Philips Galle (d. 1612)
1562 · Engraving; first state of three (New Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Leaving His Father's House, plate 1 from "The Parable of the Prodigal Son"
Philips Galle (d. 1612)
1562 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Squandering his Inheritance on Harlots, from The Parable of the Prodigal Son, plate 2
Philips Galle (d. 1612)
1562 · Engraving; thirst state of four (New Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of the Prodigal Son, from The Parable of the Prodigal Son, plate 4
Philips Galle (d. 1612)
1562 · Engraving; first state of four (New Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son as a Swineherd, plate 3 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's second state of two
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Feasting with Harlots, plate 2 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's second state of two
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Leaving His Father's House, plate 1 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's first state of two
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.