Plaque with Scenes from the Story of Joshua
Unrecorded maker
900–1000 · Elephant ivory, traces of polychromy, gilding; bone (border strips)
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
915 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
414 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,024 matching records exist across the two collections.
Results for "The Promised Land"12 records
Institutions answered newest-first by record, interleaved
Plaques with Scenes from the Story of Joshua
Unrecorded maker
900–1000 · Ivory, traces of polychromy, gilding; bone (border strips)
Cleared · Public Domain
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Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock
Giulio Bonasone (d. 1576)
1560 · Engraving
Cleared · Public Domain
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Moses Shown the Promised Land
Benjamin West (d. 1820)
1801 · Oil on wood
Cleared · Public Domain
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Moses Views the Promised Land, from "Dalziels' Bible Gallery"
Frederic, Lord Leighton (d. 1896)
ca. 1862–81 · Wood engraving on India paper, mounted on thin card
Cleared · Public Domain
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The Promised Land
Franklin Simmons (d. 1913)
1873–74; carved 1874 · Marble
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 40: The distribution of the promised land, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Pietro Aquila (d. 1700)
1675 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Studies for Spandrels (recto); Dividing the Promised Land (Joshua 13), from Raphael's Loggia, above Ornamental Frieze (verso)
Anonymous, Italian, 18th century (d. 1800)
1700–50 · Pen and brown ink and wash over black chalk
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Promised Land, Winner of the Goodwood Derby, 1859, from the Famous Running Horses (English) series (N230) issued by Kinney Brothers
Kinney Brothers Tobacco Company (d. 2011)
ca. 1888 · Commercial color lithograph
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hero Land
Hero Land (d. 1950)
1917 · Illustrations: photomechanical process
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
To the Promised Land
Edward Julius Detmold (d. 1957)
1922 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Promised Land
Nan Lurie (d. 1985)
1935–43 · Lithograph
In copyright
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