
Panel from an Ivory Casket with Scenes of the Story of Joshua
Unrecorded maker
900–1000 · Elephant ivory, traces of polychromy
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
298 ms. The Metropolitan Museum of Art, Collection API (Open Access)
277 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 45 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Panel from an Ivory Casket with Scenes of the Story of Joshua
Unrecorded maker
900–1000 · Elephant ivory, traces of polychromy
Cleared · Public Domain
live
Plaque with Scenes from the Story of Joshua
Unrecorded maker
900–1000 · Elephant ivory, traces of polychromy, gilding; bone (border strips)
Cleared · Public Domain
live
Plaques with Scenes from the Story of Joshua
Unrecorded maker
900–1000 · Ivory, traces of polychromy, gilding; bone (border strips)
Cleared · Public Domain
live
Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock
Giulio Bonasone (d. 1576)
1560 · Engraving
Cleared · Public Domain
live
Count de Rochambeau, French General of the Land Forces in America Reviewing the French Troops
Anonymous, British, 18th century (d. 1800)
April 1, 1781 · Engraving
Cleared · Public Domain
live
Moses Shown the Promised Land
Benjamin West (d. 1820)
1801 · Oil on wood
Cleared · Public Domain
live
The Promised Land
Franklin Simmons (d. 1913)
1873–74; carved 1874 · Marble
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 40: The distribution of the promised land, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Pietro Aquila (d. 1700)
1675 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Studies for Spandrels (recto); Dividing the Promised Land (Joshua 13), from Raphael's Loggia, above Ornamental Frieze (verso)
Anonymous, Italian, 18th century (d. 1800)
1700–50 · Pen and brown ink and wash over black chalk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Promised Land, Winner of the Goodwood Derby, 1859, from the Famous Running Horses (English) series (N230) issued by Kinney Brothers
Kinney Brothers Tobacco Company (d. 2011)
ca. 1888 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
To the Promised Land
Edward Julius Detmold (d. 1957)
1922 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Promised Land
Nan Lurie (d. 1985)
1935–43 · Lithograph
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.