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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    814 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5,039 matching records exist across the two collections.

Results for "The Protest"12 records

Institutions answered newest-first by record, interleaved

Communion cup (one of two) by I T, The Metropolitan Museum of Art

Communion cup (one of two)

I T (d. 1650)

1631/32 · Silver

Cleared · Public Domain

live
The MetSimilar
The Protest by Félix Vallotton, The Cleveland Museum of Art

The Protest

Félix Vallotton (d. 1925)

1893 · Print, woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Communion cup (one of two) by I T, The Metropolitan Museum of Art

Communion cup (one of two)

I T (d. 1650)

1631/32 · Silver

Cleared · Public Domain

live
The MetSimilar
Barnaby Rudge Helping Lead the Gordon Riots by Charles Green, The Cleveland Museum of Art

Barnaby Rudge Helping Lead the Gordon Riots

Charles Green (d. 1898)

1884 · Drawing, watercolor with traces of graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Miser, from "Dance of Death" by Wenceslaus Hollar, The Metropolitan Museum of Art

The Miser, from "Dance of Death"

Wenceslaus Hollar (d. 1677)

[1651] late 18th century printing · Etching; second state of four

Cleared · Public Domain

live
The MetSimilar
Strolling Actresses Dressing in a Barn by William Hogarth, The Cleveland Museum of Art

Strolling Actresses Dressing in a Barn

William Hogarth (d. 1764)

1738 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Three Lane Traffic by Harry Gottlieb, The Metropolitan Museum of Art

Three Lane Traffic

Harry Gottlieb (d. 1992)

1937 · Lithograph

Cleared · Public Domain

live
The MetSimilar
The Calumny of Apelles by Giorgio Ghisi, The Cleveland Museum of Art

The Calumny of Apelles

Giorgio Ghisi (d. 1582)

1560 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Knox's House

Sir David Young Cameron (d. 1945)

1904 · Etching and drypoint; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Hamidian Massacres, from "Europe During the War"

Anonymous, 20th century (d. 1999)

ca. 1920 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster linking the anniversary of the Mexican Revolution with the fight against alcoholism pointing out the dangers of the vice and its effects on children, image of a protest; people marching, one holding a banner that reads 'Death to Alcoholism'

Carlos Orozco Romero (d. 1984)

Ca. 1930 · Woodcut and letterpress printed in red and black, backed with linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Protest; a gigantic man standing with his left fist clenched, from "Agua y Cuace"

Leopoldo Méndez (d. 1969)

1937 · Linocut

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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