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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    239 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    381 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 60 matching records exist across the two collections.

Results for "The Rape of the Lock, an Heroi-Comical P"12 records

Institutions answered newest-first by record, interleaved

Tabernacle door with the risen Christ by Pietro Paolo Nardi, The Metropolitan Museum of Art

Tabernacle door with the risen Christ

Pietro Paolo Nardi

mid-17th century · Bronze, fire-gilt; iron (lock mechanism)

Cleared · Public Domain

live
The MetSimilar
The Reviewers' Cave by John Hamilton Mortimer, The Metropolitan Museum of Art

The Reviewers' Cave

John Hamilton Mortimer (d. 1779)

1765 · Pen and gray ink

Cleared · Public Domain

live
The MetSimilar
Rape of Proserpine by Orléans Manufactory, The Metropolitan Museum of Art

Rape of Proserpine

Orléans Manufactory (d. 1782)

ca. 1760–1770 · Soft-paste porcelain

Cleared · Public Domain

live
The MetSimilar
Pair of Flintlock Turn-Off Pistols by Daniel Moore, The Metropolitan Museum of Art

Pair of Flintlock Turn-Off Pistols

Daniel Moore (d. 1800)

ca. 1760–80 · Steel, wood (walnut), silver

Cleared · Public Domain

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The MetSimilar
Egham Lock by Sir Francis Seymour Haden, The Metropolitan Museum of Art

Egham Lock

Sir Francis Seymour Haden (d. 1910)

1859 · Etching and drypoint; trial proof b (Harrington); second state of ten (Schneiderman)

Cleared · Public Domain

live
The MetSimilar
The Rape of the Lock: An Heroi-Comical Poem in Five Cantos by Alexander Pope, The Metropolitan Museum of Art

The Rape of the Lock: An Heroi-Comical Poem in Five Cantos

Alexander Pope (d. 1744)

1896 · Illustrations: process prints from line blocks

Cleared · Public Domain

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The MetSimilar
The Rape of the Lock by William Hogarth, The Metropolitan Museum of Art

The Rape of the Lock

William Hogarth (d. 1764)

19th century (?) · Lithographed copy of an engraving

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Rape of the Lock, an Heroi-Comical Poem

Alexander Pope (d. 1744)

1798 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Rape of the Lock; an Heroi-Comical Poem

Alexander Pope (d. 1744)

1799 · Illustrations: hand colored aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pair of Highland Flintlock Pistols

John Campbell (d. 1807)

late 18th century · Steel, silver

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Egham Lock

Sir Francis Seymour Haden (d. 1910)

1859 · Etching, drypoint and mezzotint; third state of three (Harrington); seventh state of ten (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Egham Lock (L'Écluse d'Egham)

Sir Francis Seymour Haden (d. 1910)

1859–64 · Etching and drypoint; first state of three (Harrington); state three of ten (Schneiderman)

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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