
Tabernacle door with the risen Christ
Pietro Paolo Nardi
mid-17th century · Bronze, fire-gilt; iron (lock mechanism)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
239 ms. The Metropolitan Museum of Art, Collection API (Open Access)
381 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 60 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tabernacle door with the risen Christ
Pietro Paolo Nardi
mid-17th century · Bronze, fire-gilt; iron (lock mechanism)
Cleared · Public Domain
live
The Reviewers' Cave
John Hamilton Mortimer (d. 1779)
1765 · Pen and gray ink
Cleared · Public Domain
live
Rape of Proserpine
Orléans Manufactory (d. 1782)
ca. 1760–1770 · Soft-paste porcelain
Cleared · Public Domain
live
Pair of Flintlock Turn-Off Pistols
Daniel Moore (d. 1800)
ca. 1760–80 · Steel, wood (walnut), silver
Cleared · Public Domain
live
Egham Lock
Sir Francis Seymour Haden (d. 1910)
1859 · Etching and drypoint; trial proof b (Harrington); second state of ten (Schneiderman)
Cleared · Public Domain
live
The Rape of the Lock: An Heroi-Comical Poem in Five Cantos
Alexander Pope (d. 1744)
1896 · Illustrations: process prints from line blocks
Cleared · Public Domain
live
The Rape of the Lock
William Hogarth (d. 1764)
19th century (?) · Lithographed copy of an engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rape of the Lock, an Heroi-Comical Poem
Alexander Pope (d. 1744)
1798 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rape of the Lock; an Heroi-Comical Poem
Alexander Pope (d. 1744)
1799 · Illustrations: hand colored aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pair of Highland Flintlock Pistols
John Campbell (d. 1807)
late 18th century · Steel, silver
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Egham Lock
Sir Francis Seymour Haden (d. 1910)
1859 · Etching, drypoint and mezzotint; third state of three (Harrington); seventh state of ten (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Egham Lock (L'Écluse d'Egham)
Sir Francis Seymour Haden (d. 1910)
1859–64 · Etching and drypoint; first state of three (Harrington); state three of ten (Schneiderman)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.