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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    216 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    367 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 168 matching records exist across the two collections.

Results for "The Rape of the Sabines"12 records

Institutions answered newest-first by record, interleaved

Rape of the Sabines by Polidoro da Caravaggio, The Metropolitan Museum of Art

Rape of the Sabines

Polidoro da Caravaggio (d. 1548)

1499–1543 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

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The MetSimilar
The Abduction of the Sabine Women by Andrea Andreani, The Cleveland Museum of Art

The Abduction of the Sabine Women

Andrea Andreani (d. 1610)

1585 · Print, chiaroscuro woodcut (in three shades of brown and black)

Cleared · CC0

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Cleveland Museum of ArtSimilar
Rape of a Sabine Woman by Andrea Andreani, The Metropolitan Museum of Art

Rape of a Sabine Woman

Andrea Andreani (d. 1629)

1584 · Chiaroscuro woodcut from three blocks in gray-brown

Cleared · Public Domain

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The MetSimilar
The Abduction of a Sabine Woman by Andrea Andreani, The Cleveland Museum of Art

The Abduction of a Sabine Woman

Andrea Andreani (d. 1610)

1584 · Print, chiaroscuro woodcut

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Rape of the Sabines by Andrea Andreani, The Metropolitan Museum of Art

The Rape of the Sabines

Andrea Andreani (d. 1629)

1585 · Chiaroscuro woodcut in three sections (joined), each printed from four blocks

Cleared · Public Domain

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The MetSimilar
Rape of the Sabines by an unrecorded maker, The Cleveland Museum of Art

Rape of the Sabines

Unrecorded maker

1700s · Drawing, pen and brown ink and brush and brown wash, with traces of black chalk?

Cleared · CC0

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Cleveland Museum of ArtSimilar
Rape of the Sabines by Hans Rottenhammer I, The Metropolitan Museum of Art

Rape of the Sabines

Hans Rottenhammer I (d. 1625)

1600 · Pen and brown ink, brown wash over black chalk

Cleared · Public Domain

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The MetSimilar
Rape of the Sabines by Vincenzo Camuccini, The Cleveland Museum of Art

Rape of the Sabines

Vincenzo Camuccini (d. 1844)

c. 1820 · Drawing, black chalk with white heightening

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Rape of the Sabines by Francesco Allegrini, The Metropolitan Museum of Art

The Rape of the Sabines

Francesco Allegrini (d. 1679)

1624–63 · Pen and brown ink, over a little black chalk. Framing lines in pen and brown ink on mount

Cleared · Public Domain

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The MetSimilar
Rape of the Sabines by Louis Desplaces, The Cleveland Museum of Art

Rape of the Sabines

Louis Desplaces (d. 1739)

1700s · Print, engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Rape of the Sabines by Giacinto Gimignani, The Metropolitan Museum of Art

The Rape of the Sabines

Giacinto Gimignani (d. 1681)

1606–81 · Pen and brown ink, brush and blue-gray wash, highlighted with white, over black chalk; framing lines in pen and black ink

Cleared · Public Domain

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The MetSimilar
The Rape of the Sabines by Willem van Mieris, The Metropolitan Museum of Art

The Rape of the Sabines

Willem van Mieris (d. 1747)

late 17th–mid 18th century · Black chalk on vellum; framing lines in black chalk, by the artist

Cleared · Public Domain

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The MetSimilar

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