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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1078 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    440 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 9,375 matching records exist across the two collections.

Results for "The Rape of the Sabines (#2), from ¦The"12 records

Institutions answered newest-first by record, interleaved

Rape of the Sabines by Polidoro da Caravaggio, The Metropolitan Museum of Art

Rape of the Sabines

Polidoro da Caravaggio (d. 1548)

1499–1543 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

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The MetSimilar
The Rape of the Sabines by Andrea Andreani, The Metropolitan Museum of Art

The Rape of the Sabines

Andrea Andreani (d. 1629)

1585 · Chiaroscuro woodcut in three sections (joined), each printed from four blocks

Cleared · Public Domain

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The MetSimilar
The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines by Nicolas van Orley, The Metropolitan Museum of Art

The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines

Nicolas van Orley (d. 1615)

1570–85 · Wool, silk (19-21 warps per inch, 7-9 per cm.)

Cleared · Public Domain

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The MetSimilar
Rape of the Sabines by Hans Rottenhammer I, The Metropolitan Museum of Art

Rape of the Sabines

Hans Rottenhammer I (d. 1625)

1600 · Pen and brown ink, brown wash over black chalk

Cleared · Public Domain

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The MetSimilar
The Rape of the Sabines by Francesco Allegrini, The Metropolitan Museum of Art

The Rape of the Sabines

Francesco Allegrini (d. 1679)

1624–63 · Pen and brown ink, over a little black chalk. Framing lines in pen and brown ink on mount

Cleared · Public Domain

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The MetSimilar
The Rape of the Sabines by Giacinto Gimignani, The Metropolitan Museum of Art

The Rape of the Sabines

Giacinto Gimignani (d. 1681)

1606–81 · Pen and brown ink, brush and blue-gray wash, highlighted with white, over black chalk; framing lines in pen and black ink

Cleared · Public Domain

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The MetSimilar
The Rape of the Sabines by Willem van Mieris, The Metropolitan Museum of Art

The Rape of the Sabines

Willem van Mieris (d. 1747)

late 17th–mid 18th century · Black chalk on vellum; framing lines in black chalk, by the artist

Cleared · Public Domain

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The MetSimilar
The Rape of the Sabines by Jacques Gamelin, The Metropolitan Museum of Art

The Rape of the Sabines

Jacques Gamelin (d. 1803)

n.d. · Brush and blue-gray gouache, heightened with white, on beige paper. Ruled framing lines in graphite; margins washed in blue.

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rape of the Sabine Women

Andrea Andreani (d. 1629)

1585 · Chiaroscuro woodcut printed on three sheets from three blocks in brown

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rape of the Sabines, after David

Jean-Baptiste Marie Auguste II Blanchard (d. 1849)

1822 · Etched proof

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Rape of the Sabines (#1), from ¦The Poussin Project: A Series of Prints after Nicolas Poussin¦

Leon Kossoff (d. 2019)

1998 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Rape of the Sabines (#2), from ¦The Poussin Project: A Series of Prints after Nicolas Poussin¦

Leon Kossoff (d. 2019)

1998 · Etching and aquatint

In copyright

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The MetSimilar

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