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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1848 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    334 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "The Reg'lar Out-an'-Outer vot drives the"12 records

Institutions answered newest-first by record, interleaved

Outer coffin of Hapiankhtifi by an unrecorded maker, The Metropolitan Museum of Art

Outer coffin of Hapiankhtifi

Unrecorded maker

ca. 1981–1802 B.C. · Coniferous wood, paint, iron bolts, brass straps

Cleared · Public Domain

live
The MetSimilar
Column by Maya artist(s), The Metropolitan Museum of Art

Column

Maya artist(s)

800–900 CE · Limestone, pigment

Cleared · Public Domain

live
The MetSimilar
Mirror clock by Master CR, The Metropolitan Museum of Art

Mirror clock

Master CR (d. 1565)

ca. 1565–70 · Case: gilded brass and gilded copper; Dial: gilded brass; Movement: plated frame of iron, iron wheels

Cleared · Public Domain

live
The MetSimilar
Longcase clock with calendar by Joseph Knibb, The Metropolitan Museum of Art

Longcase clock with calendar

Joseph Knibb (d. 1711)

ca. 1680–85 · Case: walnut and oak veneered with walnut; dial: gilded and silvered brass; movement: brass, steel

Cleared · Public Domain

live
The MetSimilar
Longcase clock with calendar by Daniel Delander, The Metropolitan Museum of Art

Longcase clock with calendar

Daniel Delander (d. 1733)

probably ca. 1720 · Case: oak veneered with burl walnut and walnut-herringbone inlay; Dial: gilded and silvered brass; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Table or bracket clock with calendar by Daniel Delander, The Metropolitan Museum of Art

Table or bracket clock with calendar

Daniel Delander (d. 1733)

probably ca. 1720 · Case: walnut, oak veneered with walnut and burl walnut; stained wooden moldings; and brass fittings; Dial: gilded and silvered brass; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Longcase astronomical regulator by Ferdinand Berthoud, The Metropolitan Museum of Art

Longcase astronomical regulator

Ferdinand Berthoud (d. 1807)

ca. 1768–70 · Case: oak veneered with ebony and brass, with gilt-bronze mounts; Dial: white enamel; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Pair-case quarter-repeating watch by John Champion, The Metropolitan Museum of Art

Pair-case quarter-repeating watch

John Champion (d. 1780)

ca. 1770–72 · Outer case: glass and gold set with diamonds, pearls, emeralds, and rubies; Inner case: gold; Dial: white enamel with black painted Chinese characters and blued steel hands; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Guard as look after the Reg'lar Out-an'-Outer vot drives the Hero!

Isaac Robert Cruikshank (d. 1856)

1829 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Reg'lar Out-an'-Outer vot drives the Hero!

Isaac Robert Cruikshank (d. 1856)

May 1829 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Zampogna

Unrecorded maker

ca. 1900–1963 · Wood, metal, oilcloth, plastic, textile

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Canoe Splashboard (lagim)

Unrecorded maker

early to mid-20th century · Wood, paint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.