Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    237 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    433 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 37 matching records exist across the two collections.

Results for "The Relief of Vienna, September 12, 1683"12 records

Institutions answered newest-first by record, interleaved

The Head of the Virgin in Three-Quarter View Facing Right by Leonardo da Vinci, The Metropolitan Museum of Art

The Head of the Virgin in Three-Quarter View Facing Right

Leonardo da Vinci (d. 1519)

1510–13 · Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)

Cleared · Public Domain

live
The MetSimilar
Allegory of Virtues and Vices at the Court of Charles V by Hans Daucher, The Metropolitan Museum of Art

Allegory of Virtues and Vices at the Court of Charles V

Hans Daucher (d. 1538)

ca. 1522 · Honestone (Jurassic limestone), traces of gilding

Cleared · Public Domain

live
The MetSimilar
Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

live
The MetSimilar
The Relief of Vienna, September 12, 1683 by Johan Ignaz Bendl, The Metropolitan Museum of Art

The Relief of Vienna, September 12, 1683

Johan Ignaz Bendl (d. 1730)

1683 · Ivory

Cleared · Public Domain

live
The MetSimilar
Banquet of the gods by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Banquet of the gods

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

16th century or later · Bronze

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2

Rudolph Ackermann, London (d. 1832)

July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
Copy of The Relief of Vienna, September 12, 1683 by Johan Ignaz Bendl, The Metropolitan Museum of Art

Copy of The Relief of Vienna, September 12, 1683

Johan Ignaz Bendl (d. 1730)

19th century

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 4

Rudolph Ackermann, London (d. 1832)

July–December 1810 · Illustrations: Hand-colored etching, engraving, stipple, woodcut and textile samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Mason Jackson (d. 1903)

1865–70 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of The Relief of Vienna, September 12, 1683

Johan Ignaz Bendl (d. 1730)

19th century

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old English Masters, I, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1902 · Wood engravings on Japan paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old English Masters, II, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1902 · Wood engravings on Japan paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.