
Resting bovine amulet
Unrecorded maker
664–380 BCE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
208 ms. The Metropolitan Museum of Art, Collection API (Open Access)
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,738 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Resting bovine amulet
Unrecorded maker
664–380 BCE · Gold
Cleared · Public Domain
live
Young Herdsmen with Cows
Aelbert Cuyp (d. 1691)
ca. 1655–60 · Oil on canvas
Cleared · Public Domain
live
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough (d. 1788)
August 1, 1797 · Aquatint (sugar-lift process), printed in brown ink
Cleared · Public Domain
live
Pichhwai for the Festival of Cows
Unrecorded maker
late 18th century · Painted and printed gold and silver leaf and opaque watercolor on indigo-dyed cotton
Cleared · Public Domain
live
The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, by F. Palmer, No. 1
Frances Flora Bond Palmer (d. 1876)
1847 · Illustrations: lithographs
Cleared · Public Domain
live
The Cows' Resting Place (Le Dormoir des vâches)
Camille Corot (d. 1875)
1871 · Transfer lithograph printed in brown ink on chine collé; first of two states
Cleared · Public Domain
live
Calling the Cows Home
Jean-François Millet (d. 1875)
ca. 1872 · Oil on wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Resting Cows
Nicolaes Berchem (d. 1683)
17th century · Etching; second state of eight
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sportsmen Resting
Isaac Cruikshank (d. 1811)
May 6, 1787 · Stipple engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Cows
Sir Francis Seymour Haden (d. 1910)
1877 · Drypoint; second state of two (Harrington); sixth state of seven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Four Cows
Sir Francis Seymour Haden (d. 1910)
1882 · Etching with drypoint; first (final) state (Harrington); second state of three (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Four Cows
Sir Francis Seymour Haden (d. 1910)
1882 · Etching with drypoint; first (final) state (Harrington); second state of three (Schneiderman)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.