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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    638 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 669 matching records exist across the two collections.

Results for "The Resurrection, from an Altar Frontal"12 records

Institutions answered newest-first by record, interleaved

Altar Frontal by an unrecorded maker, The Metropolitan Museum of Art

Altar Frontal

Unrecorded maker

ca. 1225 · Wood with gesso, canvas, and paint

Cleared · Public Domain

live
The MetSimilar
The Resurrection, from an Altar Frontal by an unrecorded maker, The Cleveland Museum of Art

The Resurrection, from an Altar Frontal

Unrecorded maker

1375–1400 · Embroidery, Silk, gold and cotton thread, linen; raised work, embroidery: split, stem, and couching stitches

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Altar Frontal with Man of Sorrows and Saints by an unrecorded maker, The Metropolitan Museum of Art

Altar Frontal with Man of Sorrows and Saints

Unrecorded maker

ca. 1465 · Wool, linen, and metallic thread (gilt membrane on silk) on linen

Cleared · Public Domain

live
The MetSimilar
Textile, Altar Frontal by an unrecorded maker, The Metropolitan Museum of Art

Textile, Altar Frontal

Unrecorded maker

ca. 1500 · Silk, metal thread

Cleared · Public Domain

live
The MetSimilar
The Resurrection by an unrecorded maker, The Metropolitan Museum of Art

The Resurrection

Unrecorded maker

15th century · Alabaster, gold, polychromy

Cleared · Public Domain

live
The MetSimilar
The Resurrection by Philips Galle, The Metropolitan Museum of Art

The Resurrection

Philips Galle (d. 1612)

ca. 1562–63 · Engraving; first state of three; hand colored in gold, red, green blue yellow, brown and white.

Cleared · Public Domain

live
The MetSimilar
Altar frontal by an unrecorded maker, The Metropolitan Museum of Art

Altar frontal

Unrecorded maker

16th century · Embroidered net, buratto

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 1 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 1 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 2 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 2 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 3 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 3 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar
Design for an Altar, plate 4 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 4 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Large Altar Tabernacle with the Holy Kinship, the Crucifixion, and the Resurrection

Daniel Hopfer (d. 1536)

ca. 1518 · Etching

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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