
The Return of the Prodigal Son
Lucas van Leyden (d. 1533)
ca. 1510 · Engraving; first state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
456 ms. The Metropolitan Museum of Art, Collection API (Open Access)
406 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 105 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Return of the Prodigal Son
Lucas van Leyden (d. 1533)
ca. 1510 · Engraving; first state
Cleared · Public Domain
live
The Return of the Prodigal Son
Sebald Beham (d. 1550)
1540 · Pen and black ink, gray wash
Cleared · Public Domain
live
The Return of the Prodigal Son
Lombardy- The Veneto (d. 1569)
mid-16th century · Pen and brown ink, over traces of black chalk
Cleared · Public Domain
live
The Return of the Prodigal Son
Rembrandt (Rembrandt van Rijn) (d. 1669)
1636 · Etching
Cleared · Public Domain
live
Return of the Prodigal Son
Rembrandt (Rembrandt van Rijn) (d. 1669)
1620–69 · Etching, pen and ink
Cleared · Public Domain
live
The return of the Prodigal Son
Anonymous, 17th century (d. 1700)
1650–1700 · Etching
Cleared · Public Domain
live
Return of the Prodigal Son
Friedrich Olivier (d. 1859)
1830–35 · Graphite; framing lines in pen and black ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of the Prodigal Son, from The Parable of the Prodigal Son, plate 4
Dirck Volckertsz Coornhert (d. 1590)
ca 1548 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of the Prodigal Son, from The Parable of the Prodigal Son, plate 4
Philips Galle (d. 1612)
1562 · Engraving; first state of four (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of the Prodigal Son, plate 4 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of the Prodigal Son
Simon Francis Ravenet, the elder (d. 1774)
1772 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Return of the Prodigal Son
Napoleon Sarony (d. 1896)
1840 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.