
Returning Fishermen
Tang Di (d. 1365)
dated 1342 · Hanging scroll; ink and color on silk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
329 ms. The Metropolitan Museum of Art, Collection API (Open Access)
314 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 733 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Returning Fishermen
Tang Di (d. 1365)
dated 1342 · Hanging scroll; ink and color on silk
Cleared · Public Domain
live
Sanjo Kantaro II in the Role of Urashima Taro
Kaigetsudō Ando (d. 1743)
early 1700s · Painting, hanging scroll; ink and color on paper
Cleared · CC0
live
The Poor Fisherman
Jeanne Deny (d. 1815)
1770–97 · Etching and engraving
Cleared · Public Domain
live
The Poor Fisherman
Jeanne Deny (d. 1815)
1770–97 · Etching and engraving
Cleared · Public Domain
live
The Young Fisherman
Henry Inman (d. 1846)
ca. 1829 · Oil on wood
Cleared · Public Domain
live
Fisherman Returning Home
Unidentified artist
1911 · Album leaf; ink and color on silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Returning Fisherman
Anthonie Waterloo (d. 1690)
17th century · Etching; third state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Returning Fisherman
Anthonie Waterloo (d. 1690)
17th century · Etching; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fisherman
Sir Francis Seymour Haden (d. 1910)
1864 · Etching and drypoint; first (final) state (Harrington); fifth state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fisherman
Sir Francis Seymour Haden (d. 1910)
1864 · Etching and drypoint; trial proof a (Harrington); first state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fisherman
Sir Francis Seymour Haden (d. 1910)
1864 · Etching and drypoint (counterproof); trial proof c (Harrington); fourth state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Returning Fisherman
Wang Zhen (d. 1938)
dated 1917 · Hanging scroll; ink and color on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.