La Revue (The Review)
Jacques Callot (d. 1635)
ca. 1628 · Etching; second state of two (Lieure)
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
326 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
388 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 603 matching records exist across the two collections.
Results for "The Review"12 records
Institutions answered newest-first by record, interleaved
Twilight in the Wilderness
Frederic Edwin Church (d. 1900)
1860 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Returning from the Review (Loyal Ducking)
Thomas Rowlandson (d. 1827)
June 1800 (?) · Hand-colored etching
Cleared · Public Domain
liveThe MetSimilar
A Pleasure Trip to Paris
Honoré Daumier (d. 1879)
1843 · Print, lithograph
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Review
Thomas Rowlandson (d. 1827)
ca. 1800 · Watercolor, pen and ink, brush and wash
Cleared · Public Domain
liveThe MetSimilar
Review at Night
Auguste Raffet (d. 1860)
1816 · Print, lithograph
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Photographic History of the Civil War in Ten Volumes
Francis Trevelyan Miller (d. 1959)
1911
In copyright
liveThe MetSimilar
Vessel with Battle Scene
Unrecorded maker
600–900 · Ceramic, ceramic and slip
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Photographic History of the Civil War in Ten Volumes
Francis Trevelyan Miller (d. 1959)
1912
In copyright
liveThe MetSimilar
The Artist in His Room at the Villa Medici, Rome
Léon Cogniet (d. 1880)
1817 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Girls playing basketball, illustration for the review 'Educación'
Leopoldo Méndez (d. 1969)
1941 · Linocut
In copyright
liveThe MetSimilar
Seascape with Open Sky
Eugène Boudin (d. 1898)
1860 · Drawing, pastel on gray wove paper mounted on thin paperboard
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.